Vasa - 1:65 DeAgostini [COMPLETED BUILD]
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Paul, your Wasa is at the level I am aspiring to. It will be the measure against with my Sovereign of the Seas will be compared. I am behind you in construction by about a year or more, but that's good, because I can steal your innovations as I go. 
Building mostly complete interiors will slow me down quite a bit, so it will be some time before I can work on the outer hull surfaces and use your techniques to add details. Please continue to add details as you go, because your ship is a masterpiece.
Building mostly complete interiors will slow me down quite a bit, so it will be some time before I can work on the outer hull surfaces and use your techniques to add details. Please continue to add details as you go, because your ship is a masterpiece.
I was just admiring your fine work and was wondering about the joints you used for the planking of the hull. Are they called lapjoints?
Wow, that part of your build is outstanding. The Lion Heads over the gun barrels are super.
Jan
Jan
Scarf joints?
thank you. i like the look. I wonder if this was standard for all nations?
Thank you Gilbert. I'm enjoying your SR build as well - the fleur de lis on your gun ports are spectacular - very French for a builder living in Provence!
Much appreciated Roger - thank you for your kind and encouraging comments. Fully open they shall remain!
Hi Dean. Yes, I will certainly want to protect her when she is done - but that will be a long time from now. Let's see - you have finished two builds since I started this one...good thing this isn't a race!Paul that looks fantastic! There is no way I would not display the lions heads after the work you put into them! This ship is really going to be beautiful, and I’m sure a nice stand and case are in order!
Ps - the Norske Love has 72 cannons…so I have that to look forward to!
Thank you kindly Vic!
You are always so kind with your comments Kurt. I suppose you are about a year behind me - and all of your extras will be time consuming (but fun!) though I do have more decorative bits to paint which always slows me down. The upper railings I started this afternoon are going to take me quite a while as well. Based on your progress to date and your book of work previously completed I know your Sovereign is going to be remarkable!Paul, your Wasa is at the level I am aspiring to. It will be the measure against with my Sovereign of the Seas will be compared. I am behind you in construction by about a year or more, but that's good, because I can steal your innovations as I go.
Building mostly complete interiors will slow me down quite a bit, so it will be some time before I can work on the outer hull surfaces and use your techniques to add details. Please continue to add details as you go, because your ship is a masterpiece.
Hello @Jack Sparrow - welcome to my build log. Vic is right of course. These are scarf (scarph) joints...
Thank you so much Jan. These lion heads were the first thing I painted on this project so they have a special place in my heart so I am pleased that you like them.
Well, I'm out of my depth when it comes to answering your excellent question. I do know that the 'intactness' of the 1628 Vasa has caused many to rethink what they assumed about ship construction back in the day. For example, hull planking is often presented as quite uniform - but on the Vasa the planks were random in length. The builders wanted to use every bit of the valuable lumber resource available to them so cutting off and discarding timber just to make things even was simply not done. You might also notice that the scarf joints are multidirectional and random - and the port and starboard hull planking is very different. All of these things are consistent with the raised ship at the museum in Stockholm. As @Maarten has observed in the past - perhaps we all need to rethink our assumptions about uniformity in period ship construction - at least for the older vessels...
Thanks, everyone, for the likes. As you know they help with motivation to keep going so your encouragement is much appreciated.
Injury Update: some months ago I had a serious adverse encounter with an XActo. Today, I was wrestling with an electric plank bender and was enthusiastically pushing a 2x2 pear strip into a severe curve and missed the handle and pushed on the shaft of the plank bender with my finger. Turns out the shaft is screamin' hot. Mind you I was pushing pretty hard and so my response time was sluggish. As a result I managed to burn myself pretty good. The learning curve for this hobby has been a severe one in many ways...
No...
yes... In the case of Vasa, they are scarf joints. Vasa was built from all sizes of available timber lengths, therefore scarf joint was used. The typical ship, for the hull planking, uses joints called simply 'butt' joints. Planks are laid using three\four-shift of butts pattern (except for the wale, where 'scarf joint was used). Let's examine each in detail.
Lap joints.
A lap joint or overlap joint is a joint in which the members overlap. Lap joints can be used to join wood, plastic, or metal. A lap joint can be used in woodworking for joining wood together.
A lap joint maybe a full lap or half lap. In a full lap, no material is removed from either of the members that will be joined, resulting in a joint which is the combined thickness of the two members. In a half lap joint or halving joint, the material is removed from both of the members so that the resulting joint is the thickness of the thickest member. Most commonly in half-lap joints, the members are of the same thickness and half the thickness of each is removed.
With respect to wood joinery, this joint, where two long-grain wood faces are joined with glue, is among the strongest inability to resist shear forces, exceeding even mortise and tenon and other commonly-known "strong" joints.
Scarf joints
In woodworking, there are two distinctly different categories of scarves, based on whether the joint has interlocking faces or not. A plain scarf is simply two flat planes meeting on an angle relative to the axis of the stock being joined and depends entirely on adhesive and/or mechanical fasteners (such as screws, nails, or bolts) for all strength. Interlocking scarf joints, such as hooked, keyed, and nibbed scarves, offer varying degrees of tensile and compressive strength, though most still depend on mechanical fastening to keep the joint closed.
The joint is formed by cutting opposing tapered ends on each member which are then fitted together. When working with wood, this gives better long grain to long grain gluing surface, which yields a stronger joint than would be achieved with a simple butt joint. The tapers are generally cut at an angle between 1:8 to 1:10. The ends of a plain scarf are feathered to a fine point which aids in the obscuring of the joint in the finished work, while in other forms of the scarf the ends are frequently cut to a blunt "nib" which engages a matching shoulder in the mating piece.
Where scarfed joints are used in the restoration of vintage aircraft most developed countries will only issue an airworthiness certificate if all such joints have used an angle no less than 1:8.
The plain scarf is not preferred when strength is required, so it is often used in decorative situations, such as the application of trim or molding. The use of modern high-strength adhesives can greatly increase the structural performance of a plain scarf.
Butt joint
A butt joint is a technique in which two pieces of material are joined by simply placing their ends together without any special shaping. The name 'butt joint' comes from the way the material is joined together. The butt joint is the simplest joint to make since it merely involves cutting the material to the appropriate length and butting them together. It is also the weakest because unless some form of reinforcement is used (see below), it relies upon glue or welding alone to hold it together. Because the orientation of the material usually presents only one end to a long gluing or welding surface, the resulting joint is inherently weak.
Many thanks for this information.
I think the scarf joints were also used on the keel (zu Mondfeld). This certainly complicates things in the sense that I have never done scarf joints on anything. Looks like fun, though.
I love the canon doors, well done. Your accident with the heating iron reminds me of when I drilled a hole into the palm of my hand on my wedding day! I was fixing an ironing board foot that had come off. The E.R. doc said he's heard a lot of excuses to get out of a wedding but that was a first. We did get married that evening and are still going strong 30 years later. I know you and your family will enjoy your beautiful Vasa for many many years to come. Thanks for sharing your journey on this Paul.
I am quite certain that, if Kurt were not a fan before, he certainly is now!Early this week I set out to see what I could do to improve the dummy cannons that the kit calls for on the upper and lower gun decks. I tried a couple of things I saw on other builds but I could not replicate what others were doing - at least everything I tried was so fragile that it fell apart. After some (considerable) trial and error I ended up with the following...
Allow me to walk you through my approach. First I made the component parts:
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Then I assembled the 'carriages' (I found that the longer bed gave me more gluing surface for the gun barrel which will be more clear in a moment).
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Next, I added some simulated hardware...
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And then cemented the barrels to the carriages:
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I now give you what I have come to refer to as: Kurt from Minnesota Tribute Dummy Cannons (a bit of an inside joke - @DARIVS ARCHITECTVS is no fan of dummy guns
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I've seen better but I am not disappointed. Making real carriages would have been the way to go but by the time I figured out that I was going to add some small enhancements to the kit it was too late for that.
I do appreciate that you stop by on occasion to see what I have been up to. Your interest in my build is quite motivating. Indeed, these dummy cannons are a direct product of this forum. I believe I would have just done normal dummy guns if I wasn't posting things on the SOS website. Thanks for motivating me to up my game!
Well said!
A major part of the on-going work of the Museet is to pay meticulous attention to the ceaseless degradation of Vasa's timbers. One of the more recent efforts was to replace the restoration iron replacement fasteners with very high-grade stainless steel because the iron was reacting with the residual sulfur content of the preserved timbers and leading to cellular, structural compromise of the oak. Painting her to her original appearance would, indeed, be a vivid display, but it would be very much to the detriment of her long-term preservation; out of sight, out of mind.
I have long thought that it would be one of the more fascinating wooden ship re-constructions to re-build Vasa, but to do so with modern engineering so that the resulting vessel were actually sea-worthy in a stiff-wind. I wouldn't hesitate to paint that ship! Just think of the possibilities; day sails, cocktails in-hand, aboard the Vasa!
Paul, if your build-log were a racehorse in the Kentucky derby, I'd bet on it every time! Triple Crown? Triple me down! As soon as I'm caught up, you go ahead and make all of this remarkable progress. I'm beginning to think that your "professional career" is really a well-curated sham, and that you just work on this ship 24/7 like some sort of dexterous cyborg; "I'LL BE BACK, to ever so minutely detail these visible gun carriages, with their layered, nailed trucks and perfectly scaled block tackles!" JUST WATCH ME, SUCKA'. Oh, yes, I am watching - albeit on a delay.
I'm going to say something that may sound like false flattery, but I can assure you that I am 100% serious. I really think that I like your model considerably more than my own. Considering my own investment in time, that is really saying something - as you well know. Personally, while I know "perfection" is un-attainable, I always strive to maintain consistently scrutable results. You really deliver on that! The close-ups tell all, and the story is a real ripper. This is just one of the best models ever! Onward, my friend.
I'm going to say something that may sound like false flattery, but I can assure you that I am 100% serious. I really think that I like your model considerably more than my own. Considering my own investment in time, that is really saying something - as you well know. Personally, while I know "perfection" is un-attainable, I always strive to maintain consistently scrutable results. You really deliver on that! The close-ups tell all, and the story is a real ripper. This is just one of the best models ever! Onward, my friend.
And would you guess it’s his first ship? Imagine when he has 3 builds behind him!
Amen!
Well, I'm getting there... I'm still going to complete three decks of rigged cannons on the Sovereign. Check back afterward to see if I'm still sane.
What do you mean “still”?Well, I'm getting there... I'm still going to complete three decks of rigged cannons on the Sovereign. Check back afterward to see if I'm still sane.
Kurt Konrath
Kurt Konrath
Paul, I know your pain, a few months back I caught the tip of one finger in a spinning router blade. Fortunatly only minor injury as the fingernail tool brunt of damage. Almost fully healed now, but a issue I will always remember.