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Le Saint Philippe 1693 after Jean-Claude Lemineur (Ancre) in scale 1:48

Hello Friends,

Now wrapping up the oval windows (lights)...

Milling half-lap notches in the muntins (I did try to use thinner (narrower) stock for the muntins but failed):

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I then carefully fit these cross-hatched things inside of the oval framing:

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The glass is a thin (0.1 mm) piece of mica. It doesn't photograph particularly well, but I think it works nicely for 17th century glass simulation.

And now we move up to the middle row...
Beautifully executed!
 
Work continued this week on what I am calling the faux balcony. The stern portion was mostly finished, and I invested myself in the part of the structure that formed the essential base of the quarter gallery.

While the stern portion was only mildly curved vertically and horizontally - the same cannot be said of the section associated with the quarter gallery. Longitudinally it is completely flat - but from a vertical perspective it is S shaped. Pear wood bends very nicely under heat and moisture - but it was still challenging to keep the planks tightly together (required a little bit of spiling) and the corner joinery tight.

Here we go...

From slightly above you can appreciate the structural complexities of this balcony:

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In the image above it appears as if the top and bottom are not flat. This is an aberration caused by the position of the camera.

While it was my original plan to now go 'up' I think I will go 'down.'

In researching what is below I have already encountered inconsistencies between plates (drawings). In light of that perplexing reality, I am feeling a bit of creative freedom. I'll not abandon the drawings - but I will choose the solution that strikes me as both buildable and most esthetically satisfying.
 
Work continued this week on what I am calling the faux balcony. The stern portion was mostly finished, and I invested myself in the part of the structure that formed the essential base of the quarter gallery.

While the stern portion was only mildly curved vertically and horizontally - the same cannot be said of the section associated with the quarter gallery. Longitudinally it is completely flat - but from a vertical perspective it is S shaped. Pear wood bends very nicely under heat and moisture - but it was still challenging to keep the planks tightly together (required a little bit of spiling) and the corner joinery tight.

Here we go...

From slightly above you can appreciate the structural complexities of this balcony:

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In the image above it appears as if the top and bottom are not flat. This is an aberration caused by the position of the camera.

While it was my original plan to now go 'up' I think I will go 'down.'

In researching what is below I have already encountered inconsistencies between plates (drawings). In light of that perplexing reality, I am feeling a bit of creative freedom. I'll not abandon the drawings - but I will choose the solution that strikes me as both buildable and most esthetically satisfying.
That is ‘3D Curved Puzzling’ (3DCP) in ‘optima forma’, Paul. A nicely shaped outcome (so far ;)) ……. Oh yes, the bar is set high..... hold on to it.
Regards, Peter
 
Paul, your model is really nice.

Do you plan to carve the decoration manually or to use 3D printed decorations?
Thanks, Christian. The plan all along has been to carve the decorations - but it is all getting a bit overwhelming, so my confidence is wavering. If I do carve the decorations, there will be many simplifications. I cannot carve the details shown at 1:48.
 
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