Great progress. Looks like it takes a lot of headscratching.
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Beautifully executed!Hello Friends,
Now wrapping up the oval windows (lights)...
Milling half-lap notches in the muntins (I did try to use thinner (narrower) stock for the muntins but failed):
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I then carefully fit these cross-hatched things inside of the oval framing:
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The glass is a thin (0.1 mm) piece of mica. It doesn't photograph particularly well, but I think it works nicely for 17th century glass simulation.
And now we move up to the middle row...
That's nice of you to say, Miguel. My thanks.I love the work you're doing!!!!
Miguel
Indeed. I have scratched through any remaining hair and am now down to scalp...Great progress. Looks like it takes a lot of headscratching.
Thanks, Albert. I think it will work but it remains to be planked which will be the real test.Beautifully executed!
Better yet - how about we schedule a personal visit? I'm only just down the road...I just added the Le Saint Phillippe to my watch list. Holy Cow! Impressive, to say the least.
I think I inadvertently sent my reply to ships of scale. To remedy that, I sent you a direct message through this site. Let's keep that conversation offline and not clutter up your build log.Better yet - how about we schedule a personal visit? I'm only just down the road...

not clutter up your build log.








That is ‘3D Curved Puzzling’ (3DCP) in ‘optima forma’, Paul. A nicely shaped outcome (so farWork continued this week on what I am calling the faux balcony. The stern portion was mostly finished, and I invested myself in the part of the structure that formed the essential base of the quarter gallery.
While the stern portion was only mildly curved vertically and horizontally - the same cannot be said of the section associated with the quarter gallery. Longitudinally it is completely flat - but from a vertical perspective it is S shaped. Pear wood bends very nicely under heat and moisture - but it was still challenging to keep the planks tightly together (required a little bit of spiling) and the corner joinery tight.
Here we go...
From slightly above you can appreciate the structural complexities of this balcony:
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In the image above it appears as if the top and bottom are not flat. This is an aberration caused by the position of the camera.
While it was my original plan to now go 'up' I think I will go 'down.'
In researching what is below I have already encountered inconsistencies between plates (drawings). In light of that perplexing reality, I am feeling a bit of creative freedom. I'll not abandon the drawings - but I will choose the solution that strikes me as both buildable and most esthetically satisfying.

Thanks, Christian. The plan all along has been to carve the decorations - but it is all getting a bit overwhelming, so my confidence is wavering. If I do carve the decorations, there will be many simplifications. I cannot carve the details shown at 1:48.Paul, your model is really nice.
Do you plan to carve the decoration manually or to use 3D printed decorations?
Actually, it was only gluedThat is a difficult part that balcony. But you nailed it.
.

