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Chinese Junk Ship Model Approx 90 Yrs Old in need of restoration: Advice needed!

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Aug 3, 2026
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So I am about to obtain a large 90+ year old Chinese model junk from my grandfather in America, originally owned by Commander Charles Price of the USS Panay, shortly before it was sunk by the Japanese in 1937 and would like to know how I could restore it tastefully without it being damaged.
The Ship is 4 ft, 4 inches long and 13 inches at it's widest point, it comes with various parts including model figures and even some tattered sails, I need help finding the correct products help restore it to its former glory
This model could be very valuable and potentially museum grade with all its parts assembled correctly

IMG_9315.jpeg

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It would be good to know natural adhesives and polishes that won’t destroy the wood whilst also being effective
 
Here is a start: links to info from NAVSEA and Mystic Seaport Museum



General philosophy on any restoration is to avoid making any modifications that cannot be easily reversed. Sometimes an incomplete restoration is better than an inaccurate one, e.g. Venus de milo. The more research that you are able to do on this particular model and others of its type, the better. Fair winds!
 
Here is a start: links to info from NAVSEA and Mystic Seaport Museum



General philosophy on any restoration is to avoid making any modifications that cannot be easily reversed. Sometimes an incomplete restoration is better than an inaccurate one, e.g. Venus de milo. The more research that you are able to do on this particular model and others of its type, the better. Fair winds!
Thanks a lot
Here is a start: links to info from NAVSEA and Mystic Seaport Museum



General philosophy on any restoration is to avoid making any modifications that cannot be easily reversed. Sometimes an incomplete restoration is better than an inaccurate one, e.g. Venus de milo. The more research that you are able to do on this particular model and others of its type, the better. Fair winds!
Thanks a lot! I recently found a remarkably similar model at royal museums Greenwich https://www.rmg.co.uk/collections/objects/rmgc-object-6913
 
I recently found a remarkably similar model at royal museums Greenwich
Codider contacting the museum. They may let you view their model, if convenient for you, and they be able to provide you with information on the model. Fair winds!
 
This model is valuable because of its provenance. You should, therefore, accumulate and organize all information relating to your grandfather’s China Service. Since he was an officer his service aboard Panay should be on record. Try the Naval History Command in Washington DC or contact the US Embassy in London.

The best reference on ship model restoration that I know of is Caring for ShipModels by Rob Napier. This is a book published in the USA but maybe you can snag a copy locally.

A takeaway from the book: Do not try to improve the model. This includes adding features that the model “should” have but that the original builder did not include.

Glues: This model was probably assembled using some sort of animal glue; fish or hide glue. Hide glue is still available and used by antique restorers. I would not use a modern synthetic resin glue like epoxy or CA. Restorers also prefer glues that are reversible (can be deboned at a later date).

Cleaning: Believe it or not the state of the art is human saliva on a Q Tip ( cotton bud?). However you clean it, test before using. As you point out, the painting is one of the glories of the model.

Sails and Rigging: I see this as the major problem area. As you will not be assembling but actually adding rigging that does not exist. Hopefully you can find a good reference to guide you.

Roger
 
To clarify; should I not restore it ie Polish, repaint (which I am against) or not rebuild it using the parts it came with
 
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This model is valuable because of its provenance. You should, therefore, accumulate and organize all information relating to your grandfather’s China Service. Since he was an officer his service aboard Panay should be on record. Try the Naval History Command in Washington DC or contact the US Embassy in London.

The best reference on ship model restoration that I know of is Caring for ShipModels by Rob Napier. This is a book published in the USA but maybe you can snag a copy locally.

A takeaway from the book: Do not try to improve the model. This includes adding features that the model “should” have but that the original builder did not include.

Glues: This model was probably assembled using some sort of animal glue; fish or hide glue. Hide glue is still available and used by antique restorers. I would not use a modern synthetic resin glue like epoxy or CA. Restorers also prefer glues that are reversible (can be deboned at a later date).

Cleaning: Believe it or not the state of the art is human saliva on a Q Tip ( cotton bud?). However you clean it, test before using. As you point out, the painting is one of the glories of the model.

Sails and Rigging: I see this as the major problem area. As you will not be assembling but actually adding rigging that does not exist. Hopefully you can find a good reference to guide you.

Roger
Thanks Roger, as a matter of fact I contacted Washington dock yards and they sent over a copy of Charles Price’s Journal (To clarify Charles was my grandfathers best friends father) and I have been combing through it to see if I can find where it could have been obtained
Should I attempt to rebuild the model as I have all of the pieces or should I simply not risk damaging it
 
There’s nothing wrong using the parts that you have to assemble it. Using a reversible glue means that you or someone else can relocate a part if you put it in the wrong place. Be careful not to disturb the paint. Sails and rigging are another matter. You’ll first have to figure out what material they used. Being Chinese, silk, cotton or some sort of paper are candidates. The model was built before use of synthetic resins. I would talk to someone who conserves fabric or paper to discuss options for preservation. I wouldn’t hang them on the model as they would be very fragile and won’t last long in sun light.

It appears that your package includes masts and some other spars. An option would be to rig them without sails but with minimum rigging. Of course if you feel ambitious you could make new sails. Neither option would detract from the model’s value as they can be removed in the future without damaging the model’s value.

The best reference on Chinese Naval Architecture that I know of is The Junks & Sampans of the Yangtze; a massive tome written by and illustrated with drawings by C.R.G. Worcester, who was once a River Inspector with Chinese Maritime Customs. My copy was published by the US Naval Institute Press but I’m sure that the original editions were published in Great Britain.

The promotional flap on the book mentions that he was also involved with the Maze Collection of Chinese watercraft models at the Science Museum in London. Another research resource?

I must confess that I’m a “recent China Hand.” Back in the 1980’s and 1990’s when we viewed China as a market and not a rival I made seven trips to China looking for business and negotiating contracts for supplying pipework to China’s expanding electric utility industry. It’s a fascinating country!

Roger
 
If you've ever been a fan of the British or American Antiques Roadshow television programs, (or "programmes," as the Brits spell it,) you must have surely seen the segments where the lady proudly shws the expert the "old chair" that she found in her grand aunt's attic which she's stripped, sanded, and coated with polyurethane varnish. Remember the look on her face when the appraiser tells her what she has there is an exquisite example of an actual Chippendale work which would have been worth six figures if only she hadn't stripped and sanded off the original finish and coated it with Minwax "wipe on poly" like Norm told her to do on The New Yankee Workshop, but now it's only worth a few hundred bucks. When it comes to ship models, you don't ever want to be like that lady on Antiques Roadshow!

Roger beat me to it in large measure, but I do want to underscore what he has said:

Before you do anything to your model, read, and learn everything in at least the two books Roger recommended. They are essential to any proper restoration of this model:

Caring for Ship Models: A Narrative of Thought and Application by Rob Napier, is available from Seawatch Books at https://seawatchbooks.com/products/...tive-of-thought-and-application-by-rob-napier. As this is a new book, you'll probably have a hard time finding a used copy, but it's worth checking Amazon to see if anybody has one. It's not a cheap book, but worth every penny and, in my opinion, a book that should be on the bookshelf of anyone who aspires to be a serious ship modeler.

and

The Junks and Sampans of the Yangtse by G.R.G. Worcester available from the U.S. Naval Institute Press at https://www.usni.org/press/books/junks-and-sampans-yangtze. This seriously large volume is the English language "Bible" of traditional Chinese watercraft. There simply isn't anything else in the English language that treats the subject adequately. Originally a two or three volume work (I can't remember which,) it was once one of those "rare unicorns" for which collectors which collectors paid hundreds of dollars whenever a copy came on the market. The Naval Institute Press combined the original volumes into one 656 page, 900+ illustration, "coffee table sized" volume in, as I recall, the 1970's, and that printing quickly sold out. After that, even those copies were bringing around $350 a piece until the Naval Institute Press did a second printing in 2020 which is now selling new for around $45. Amazon has a single used copy for $32 right now, so grab it! https://www.amazon.com/Junks-Sampans-Yangtze-G-Worcester/dp/0870213350# (Like the stock market, the book market has its ups and downs. Expect Junks and Sampans to go up in price as soon as the second printing is no longer available new from the publishers.)

Download and read the construction and conservation standards Andy has provided above:

https://www.navsea.navy.mil/Home/Wa...ications-for-Building-Exhibition-Ship-Models/

https://www.shipmodel.com/pdfs/ship-model-classification-guidelines-1980.pdf

These standards are an excellent summary of how ship models need to be built if they are to last longer than you do. Ignore anything to the contrary offered by the ship model kit manufacturers and YouTube "influencers!" Kit building isn't even in the same zip code as where this model is at. Your goal isn't to make this model look brand new. Your goal is to make this model look as if somebody took good care of it ever since it was built. (And, when all is said and done, you must put it in a proper display case or all of your efforts will soon be for naught.)

To Roger's sage advice, I cannot emphasize enough: Read and understand Napier's book on ship model restoration. DO NOT go looking for "advice" on YouTube or similar online sources. This is a model which deserves to be property repaired and conserved. Follow Napier's instructions to the letter. DO NOT listen to self-appointed experts who are going to tell you to coat it with "wipe on poly," varnishes, paints, or anything else. In terms of what you do to the surface and its "patina," less is more. DO NOT use cyanoacrylate ("Superglue,") epoxy, or polyvinyl acetate ("Titebond") and similar adhesives. Again, follow Napier's advice to the letter!

In order to repair and conserve this model, you will have to first learn how the prototype vessels were constructed, rigged, and sailed. They were not constructed, rigged, and sailed like the Western vessels of the same period. The Western sailing vessel harnesses the forces resulting from engineered tension between the opposing forces of wind and lateral resistance to the water to make the vessel "sail into the wind." The Chinese sailors approached sailing by avoiding tension rather than creating it. They let the wind and the currents push them with the least resistance possible. They did not "strap her down and beat to windward." The basic engineering theories of Chinese and Western sailing vessels are opposite to each other, as, consequently, is their construction and rigging. To do this job right, as with any restoration, you will have to "get inside the head" of the man who built the model, just as he "got inside the heads" of the men who designed and built the prototype. Close to nothing you will find written about Western sailing vessels will be applicable to this vessel nor to Western modeling techniques, so you will be on your own in that respect. Let the model itself and Worcester's book be your guides. They will be your best teachers. You must walk in their footsteps. Step slowly and carefully, Grasshopper. ;)

As Napier's book will tell you, 1) Take pictures of everything. Nobody's memory is all that good. 2) Label all the parts (small plastic ziploc sandwich bags are useful for this.) 3) When you work with small parts, exercise extreme care to maintain control of small parts. (These have a way of "jumping off workbenches and disappearing into the ozone.) 4) In all things you do with this project, take your time.

AND... Don't be afraid to ask us questions about process, materials, tools, and techniques. This is the place to get your questions answered.
 
Last edited:
If you've ever been a fan of the British or American Antiques Roadshow television programs, (or "programmes," as the Brits spell it,) you must have surely seen the segments where the lady proudly shws the expert the "old chair" that she found in her grand aunt's attic which she's stripped, sanded, and coated with polyurethane varnish. Remember the look on her face when the appraiser tells her what she has there is an exquisite example of an actual Chippendale work which would have been worth six figures if only she hadn't stripped and sanded off the original finish and coated it with Minwax "wipe on poly" like Norm told her to do on The New Yankee Workshop, but now it's only worth a few hundred bucks. When it comes to ship models, you don't ever want to be like that lady on Antiques Roadshow!

Roger beat me to it in large measure, but I do want to underscore what he has said:

Before you do anything to your model, read, and learn everything in at least the two books Roger recommended. They are essential to any proper restoration of this model:

Caring for Ship Models: A Narrative of Thought and Application by Rob Napier, is available from Seawatch Books at https://seawatchbooks.com/products/...tive-of-thought-and-application-by-rob-napier. As this is a new book, you'll probably have a hard time finding a used copy, but it's worth checking Amazon to see if anybody has one. It's not a cheap book, but worth every penny and, in my opinion, a book that should be on the bookshelf of anyone who aspires to be a serious ship modeler.

and

The Junks and Sampans of the Yangtse by G.R.G. Worcester available from the U.S. Naval Institute Press at https://www.usni.org/press/books/junks-and-sampans-yangtze. This seriously large volume is the English language "Bible" of traditional Chinese watercraft. There simply isn't anything else in the English language that treats the subject adequately. Originally a two or three volume work (I can't remember which,) it was once one of those "rare unicorns" for which collectors which collectors paid hundreds of dollars whenever a copy came on the market. The Naval Institute Press combined the original volumes into one 656 page, 900+ illustration, "coffee table sized" volume in, as I recall, the 1970's, and that printing quickly sold out. After that, even those copies were bringing around $350 a piece until the Naval Institute Press did a second printing in 2020 which is now selling new for around $45. Amazon has a single used copy for $32 right now, so grab it! https://www.amazon.com/Junks-Sampans-Yangtze-G-Worcester/dp/0870213350# (Like the stock market, the book market has its ups and downs. Expect Junks and Sampans to go up in price as soon as the second printing is no longer available new from the publishers.)

Download and read the construction and conservation standards Andy has provided above:

https://www.navsea.navy.mil/Home/Wa...ications-for-Building-Exhibition-Ship-Models/

https://www.shipmodel.com/pdfs/ship-model-classification-guidelines-1980.pdf

These standards are an excellent summary of how ship models need to be built if they are to last longer than you do. Ignore anything to the contrary offered by the ship model kit manufacturers and YouTube "influencers!" Kit building isn't even in the same zip code as where this model is at. Your goal isn't to make this model look brand new. Your goal is to make this model look as if somebody took good care of it ever since it was built. (And, when all is said and done, you must put it in a proper display case or all of your efforts will soon be for naught.)

To Roger's sage advice, I cannot emphasize enough: Read and understand Napier's book on ship model restoration. DO NOT go looking for "advice" on YouTube or similar online sources. This is a model which deserves to be property repaired and conserved. Follow Napier's instructions to the letter. DO NOT listen to self-appointed experts who are going to tell you to coat it with "wipe on poly," varnishes, paints, or anything else. In terms of what you do to the surface and its "patina," less is more. DO NOT use cyanoacrylate ("Superglue,") epoxy, or polyvinyl acetate ("Titebond") and similar adhesives. Again, follow Napier's advice to the letter!

In order to repair and conserve this model, you will have to first learn how the prototype vessels were constructed, rigged, and sailed. They were not constructed, rigged, and sailed like the Western vessels of the same period. The Western sailing vessel harnesses the forces resulting from engineered tension between the opposing forces of wind and lateral resistance to the water to make the vessel "sail into the wind." The Chinese sailors approached sailing by avoiding tension rather than creating it. They let the wind and the currents push them with the least resistance possible. They did not "strap her down and beat to windward." The basic engineering theories of Chinese and Western sailing vessels are opposite to each other, as, consequently, is their construction and rigging. To do this job right, as with any restoration, you will have to "get inside the head" of the man who built the model, just as he "got inside the heads" of the men who designed and built the prototype. Close to nothing you will find written about Western sailing vessels will be applicable to this vessel nor to Western modeling techniques, so you will be on your own in that respect. Let the model itself and Worcester's book be your guides. They will be your best teachers. You must walk in their footsteps. Step slowly and carefully, Grasshopper. ;)

As Napier's book will tell you, 1) Take pictures of everything. Nobody's memory is all that good. 2) Label all the parts (small plastic ziploc sandwich bags are useful for this.) 3) When you work with small parts, exercise extreme care to maintain control of small parts. (These have a way of "jumping off workbenches and disappearing into the ozone.) 4) In all things you do with this project, take your time.

AND... Don't be afraid to ask us questions about process, materials, tools, and techniques. This is the place to get your questions answered.
Thanks so much! I am looking into buying the book on junks and hopefully I will be able to find one that matches what my model looks like both Roger and your advice has been really insightful
Just a quick update; I managed to piece together a large portion of the ship without any sort of glue due to the clever engineering of whoever created the model, this is what it looks like
 
If I’m honest, I’m not really looking to sell the model, it’s a bit of an heirloom now so I might give polishing it with some museum grade wax a go, to help protect it
 
Based on the premise that it is unique and quality:
Clean it carefully with something neutral and that does not leave a residue.
Then protect it from dust. Protect the parts from dust and trauma.
Avoid extremes of temp and humidity.
I am not sure that Renaissance Wax is all that good of an idea. Maybe not irreversible but who knows what the effect of the organic solvent needed to remove it will have on the surviving paint.

I think that hot pot hide glue would be ideal. A barrier is that it is old tech. It requires investment in a jacketed pot and a semester of learning and practice. Plus learning about the different grades of hide flakes. Strength may not be the best metric.
Pre-mixed contains urea - Franklin is most convenient but probably has the highest water content. Old Brown wants to be warm. Luthier's fish glue may be worth a look. - which seems to be what Seccotine glue is.
 
Thanks so much! I am looking into buying the book on junks and hopefully I will be able to find one that matches what my model looks like both Roger and your advice has been really insightful
Just a quick update; I managed to piece together a large portion of the ship without any sort of glue due to the clever engineering of whoever created the model, this is what it looks like
Before buy the book you could read it for free on


several version disposable, to read simply register o the site.
 
If it were me, and I'm thankful it's not, as this is a bit of an undertaking...

I'd first be contacting a local museum to see if they could put me in touch with any of their staff that deals with cleaning of artwork pieces. I'd consider any cleaning of the components to be taken in the same consideration as if you were attempting to clean a centuries old oil painting. Second, if you plan to reassemble it, I'd follow the advice you were given earlier in their thread regarding the use of hide glue. You should be able to obtain that locally, and if you have challenges finding a source, find a luthier in your locale and have a conversation with them. Luthiers typically use hide glues to repair antique musical instruments for a few reasons. The first is that it was likely what was originally used to glue the parts together, and perhaps more importantly, that the pieces can be "unglued" if needed, without damaging the components.

Best wishes for success in your endeavour.
 
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