- Joined
- Jun 2, 2025
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First mast complete – the bowsprit is now finished.
A really satisfying milestone on the 1:50 scale San Felipe build. The bowsprit assembly is now complete, and this area truly sets the character of the ship. It’s one of those sections that draws the eye immediately, so I’ve taken my time to make sure it looks used, functional, and believable rather than factory-perfect.
The rigging around the bowsprit was deliberately kept slightly irregular. On working ships of this era, nothing was ever perfectly symmetrical or pristine—ropes stretched, were re-served, re-tied, and repaired constantly. I wanted that sense of life and history to come through, even at this scale.
The decorative work around the bow is now fully in place as well. The gilded carvings and head detail add that unmistakable Spanish presence, contrasting beautifully against the timber tones and the blue of the upper works. I’m particularly happy with how the gold has been finished—not flat or shiny, but with depth and variation so it catches the light naturally.
The bowsprit platform and fittings were built up carefully, test-fitted multiple times, and adjusted until everything sat naturally. Nothing here is forced into position; it all needed to look like it belongs structurally and visually. The small details—lashings, platform planking, mast alignment—really make this section come alive.
Seeing the flag in place at the front is a great motivator too. Even though it’s a small element, it instantly adds scale and presence and gives a glimpse of what the ship will look like once fully rigged and under sail.
This is a big step forward for the build. From here, things really start to climb—literally—as I move further into the masts and rigging. Plenty more detail work ahead, but for now, I’m very happy with how the bowsprit has turned out.








A really satisfying milestone on the 1:50 scale San Felipe build. The bowsprit assembly is now complete, and this area truly sets the character of the ship. It’s one of those sections that draws the eye immediately, so I’ve taken my time to make sure it looks used, functional, and believable rather than factory-perfect.
The rigging around the bowsprit was deliberately kept slightly irregular. On working ships of this era, nothing was ever perfectly symmetrical or pristine—ropes stretched, were re-served, re-tied, and repaired constantly. I wanted that sense of life and history to come through, even at this scale.
The decorative work around the bow is now fully in place as well. The gilded carvings and head detail add that unmistakable Spanish presence, contrasting beautifully against the timber tones and the blue of the upper works. I’m particularly happy with how the gold has been finished—not flat or shiny, but with depth and variation so it catches the light naturally.
The bowsprit platform and fittings were built up carefully, test-fitted multiple times, and adjusted until everything sat naturally. Nothing here is forced into position; it all needed to look like it belongs structurally and visually. The small details—lashings, platform planking, mast alignment—really make this section come alive.
Seeing the flag in place at the front is a great motivator too. Even though it’s a small element, it instantly adds scale and presence and gives a glimpse of what the ship will look like once fully rigged and under sail.
This is a big step forward for the build. From here, things really start to climb—literally—as I move further into the masts and rigging. Plenty more detail work ahead, but for now, I’m very happy with how the bowsprit has turned out.


























