I understand your explanation of the NRG definition. However, I still question why the NRG's standard should be regarded as the definitive measure of what constitutes a high-quality ship model across the hobby. The NRG is a respected organization, but it is not the sole authority on ship modeling, nor does it represent every modeling tradition, interest, or objective. Many highly skilled modelers around the world have never been members of the NRG. They may evaluate quality using different criteria or place different emphasis on historical accuracy, craftsmanship, artistic expression, innovation, or educational value.You say, "The criteria used to judge a replica are not necessarily the same as those used to appreciate just building a model or a display piece." I have no idea what you mean by "a replica," but neither I nor any respected authority has ever asserted that the standard for judging a "high-quality scale ship model" is the same as judging any other type of ship model whatsoever. Never. Not ever, even once. The definition of a "high-quality scale ship model," which is a particular thing, is what was being talked about. If a ship model falls outside the standard for a "high-quality scale ship model" it simply isn't a "high-quality scale ship model" as that term has long been defined. There are lots of different types of ship models and lots of ways of distinguishing them. For example, you chose to refer to two defining criteria based on the modeler's motivation, "to appreciate just building a model" and "as a display piece." The modeler's motivation is completely irrelevant to the NRG standard for a "high-quality scale ship model" because in the definition of a "high-quality scale ship model" expressly "The main thing is the appearance of the finished model." not why the modeler made it.
You are right that we've been over this before. I am at a complete loss to understand why you are unable to grasp what Napier wrote when he explained the standard for a "high-quality scale ship model" which was, as I am told, created by a committee of highly-respected ship modeling authorities and ratified by a large majority of NRG members now decades ago. Whenever I reference this standard, you object, asserting that this definition is flawed because it shouldn't apply to all ship models. Nobody has ever said it applies to any type of ship model other than "high-quality scale ship models," as defined.
The "one accepted standard" that the NRG and others recognize as defining a scale ship model as "high-quality" is solely whether it "provides a compelling impression of an actual vessel within the constraints of historical accuracy."
This "one standard" is in fact, as Napier clearly explained in his recently published book, an amalgam of all the considerations you mention, save "the enjoyment of the build itself," which Napier notes is of no relevance whatsoever because it is the model and the model alone, which is being judged on its own merits, not its builder or builders.
Note that this objective standard applies only to one particular type of ship model, to wit: a "high-quality scale ship model" because the "high-quality scale ship model" purports to depict an historically accurate scale representation of a particular actual vessel or generic vessel type.
Please read again how Napier explains the standard he and his colleagues devised:
"A high-quality scale ship model provides a compelling impression of an actual vessel within the constraints of historical accuracy."
"Historical accuracy" encompasses all the objective, or measurable, standards of technical exactness that might apply to a ship model. These embrace the obvious hull shape and fairness; precision in fittings, rigging, and colors; lack of anachronisms; and so forth. But it also encompasses all aspects of craftsmanship because the lack of craftsmanship creates unrealistic and, therefore, historically inaccurate blemishes on a model. ... The phrase "historically accurate" alone effectively replaces the intention of the now-vapid "museum quality."
"... (A "compelling impression") allows and encourages aesthetic interpretation of a vessel that will help propel the viewers to make the leap of faith that allows a model to work or to willingly suspend the disbelief that keeps a model from working. Both processes help viewers accept the invitation to visit a ship instead of a model. Compelling impression is the result of applying artistic and interpretive decision-making processes... to amplify a model beyond being a mere assemblage of parts.
"It is important to recognize that neither arm of our definition considers how a model was made. There is no assessment of whether entire models or components of them are built from scratch, built from kits, or built by teams of modelers. The main thing is the appearance of the finished model. The ends justify the means."
[Rob Napier, Caring for Ship Models - A Narrative of Thought and Application, (2022) Seawatch Books.]
Perhaps it might be more easily understood by explaining the mechanics of the analysis.
1. Every "high-quality scale ship model" is an expression of "an actual vessel within the constraints of historical accuracy." If it is not "an actual vessel within the constraints of historical accuracy," then it is not a "high-quality scale ship model." It may be a high-quality model of a fantasy ship, a high-quality impressionistic sculpture of a ship, and so on, but it isn't a "high-quality scale ship model."
2. Every scale ship model is necessarily a communicative statement which invites a judgment of its qualities, whatever they may be, by anyone who sees it. Even if no one but its creator ever sees it, that modeler judges their own work when viewing it. Every ship model that is viewed, and thus judged, is judged subjectively in the "eye of its beholder," but in the larger community of ship modelers there exists agreement as to what objective factors comprise any knowledgeable evaluation of a "high-quality scale ship model" and that agreement is expressed by the NRG's definition of a "high-quality scale ship model."
3. The judgment which is necessarily made is whether the ship model "provides a compelling impression of an actual vessel within the constraints of historical accuracy." This is the judgment every viewer of the model makes, consciously or unconsciously when they look at the model: "Does the model allow and encourage an aesthetic interpretation... that will help propel the viewers to make the leap of faith that allows a model to work or to willingly suspend the disbelief that keeps a model from working. Both processes help viewers accept the invitation to visit a ship instead of a model. Compelling impression is the result of applying artistic and interpretive decision-making processes... to amplify a model beyond being a mere assemblage of parts." Another way of putting it is, "When you look at the model, you feel compelled to think of the real ship and not of the model." Why you assert that NRG definition does not take into consideration "artistic interpretation" is beyond me.
4. The NRG definition also addresses a broadly defined criteria expressed as "within the constraints of historical accuracy." Napier defines this concept expansively: "Historical accuracy" encompasses all the objective, or measurable, standards of technical exactness that might apply to a ship model. These embrace the obvious hull shape and fairness; precision in fittings, rigging, and colors; lack of anachronisms; and so forth. But it also encompasses all aspects of craftsmanship because the lack of craftsmanship creates unrealistic and, therefore, historically inaccurate blemishes on a model. ... The phrase "historically accurate" alone effectively replaces the intention of the now-vapid "museum quality." Napier expressly addressed every factor that you assert the NRG definition ignores!
5. The evaluation of any scale ship model is made on the basis of the model alone. Who made it or why, while not irrelevant facts in the overall scheme of things, are irrelevant to the assessment of its merits as a "high-quality scale ship model." If a model is made by a famous master modeler, that will likely be to the advantage of its monetary value but should not be any consideration in the judgment of the model's qualifications as a "high-quality scale ship model." As Napier explains, every model "speaks for itself:" "It is important to recognize that neither arm of our definition considers how a model was made. There is no assessment of whether entire models or components of them are built from scratch, built from kits, or built by teams of modelers. The main thing is the appearance of the finished model. The ends justify the means."
I have no idea why you "...would question (again) the premise that there is one accepted standard by which all ship models should be judged." when neither the NRG's standard for "high-quality scale ship models," nor I, have ever said so. All your objections to this "straw man" inaccuracy are irrelevant. Nobody I know or have ever heard of thinks "that there is one accepted standard by which all ship models should be judged." All that has ever been asserted is that there is one standard by which "high-quality scale ship models" are measured.
You also shot wide of the mark relying on Donald McNarry's observation that "a model should not necessarily reproduce every real-world detail if those details distract from the overall impression of the vessel" as somehow supporting your argument, whatever your point exactly may be. McNarry is merely stating the obvious, particularly as a builder of "extreme miniatures" whose work exemplified the universal principle of scale modeling that details which cannot be seen at scale viewing distance should not be depicted on a scale model. McNarry's observation that "depicting every piece of deck clutter on a ship could distract the viewer from seeing the ship itself..." is nothing less than an affirmation of the NRG definition's criteria that a "high-quality scale ship model "provides a compelling impression of an actual vessel." McNarry recognizes the fact that too much "deck clutter" can detract from "providing a compelling impression of an actual ship." McNarry's models, being "extreme miniatures," a distinct subcategory of ship model, are a good example of the flexibility and broad inclusiveness of the NRG definition. I've never had the pleasure of viewing any of McNarry's models "in the flesh," as it were, but I have had the pleasure of studying firsthand three models by Lloyd McCaffery, an American miniaturist whose models are very similar in style to McNarry's, and notwithstanding their unusually small scales, viewing them unquestionably "provides a compelling impression of an actual vessel." That nothing of that "compelling impression" is lost by virtue of the model's small scale or lack of detail is the magic in the work of the extreme miniaturists like McNarry, McCaffery, Ough, and Reed.
McNarry's assertions, as you state them, are entirely consistent with Napier's explanation of the NRG's definition of a "high-quality scale ship model." Read what Napier wrote and compare it to what you say are McNarry's "contrary" assertions:
"Compelling impression is the result of applying artistic and interpretive decision-making processes... to amplify a model beyond being a mere assemblage of parts." Check.
- A model is not merely a collection of technically correct details.
(A "compelling impression") allows and encourages aesthetic interpretation of a vessel that will help propel the viewers to make the leap of faith that allows a model to work or to willingly suspend the disbelief that keeps a model from working. Both processes help viewers accept the invitation to visit a ship instead of a model. Check.
- Artistic interpretation has value.
Compelling impression is the result of applying artistic and interpretive decision-making processes... to amplify a model beyond being a mere assemblage of parts. Check.
- Selective omission can improve a model.
"A high-quality scale ship model provides a compelling impression of an actual vessel within the constraints of historical accuracy." and "The main thing is the appearance of the finished model." Check and check.
- The overall visual effect can be more important than literal reproduction.
In summary, there's nothing in the concept or application of the NRG standard for judging a "high-quality scale ship model" that is at odds with whatever you think ought to be otherwise because that which you claim to be "otherwise" isn't. Apparently, you just don't understand what's being talked about.
There are lots and lots of different types of ship models and all ship models are good, but some's better than others. Here we are talking about a particular type of ship model, i.e., the "high-quality scale ship model." There are lots of other types of ship models. Some are also "high-quality" and some aren't. Some are "scale ship models" and some are not. The NRG definition of a "high-quality scale ship model" was intended to replace the meaningless term, "museum-quality ship model," which was, and still is, widely used by kit manufacturers to describe their products.
My concern is not with the NRG having a standard for judging a particular category of model. Rather, it is with presenting that standard as though it were universally accepted and beyond debate. That is an opinion, albeit one supported by the NRG and by Mr. Napier, and I believe it is important that readers understand it as such. We have members from many backgrounds and modeling disciplines, and they should not be misled into thinking that one organization's (NRG's) definition represents the only legitimate way to evaluate quality in ship modeling.






