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HIGH HOPES, WILD MEN AND THE DEVIL’S JAW - Willem Barentsz Kolderstok 1:50

Okiedokie - the waterline is done - I am very happy and it's a keeper! Thumbsup

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Sorry @Kolderstok Hans, but that is how I do a waterline. In Afrikaans we have a saying "A bok is a bliksem", so goats are not items of too much affection! ROTF

I need to touch up the two bottom wales with CLOU, but that will only be done after 24 hours of allowing the paint to dry out and harden properly. Tomorrow, in any case, is back to full-time teaching.
 
Okiedokie - the waterline is done - I am very happy and it's a keeper! Thumbsup

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Sorry @Kolderstok Hans, but that is how I do a waterline. In Afrikaans we have a saying "A bok is a bliksem", so goats are not items of too much affection! ROTF

I need to touch up the two bottom wales with CLOU, but that will only be done after 24 hours of allowing the paint to dry out and harden properly. Tomorrow, in any case, is back to full-time teaching.
Good morning Heinrich- OH boy she is a beauty! The oak and white is legendary my friend. When
You were progressing with the oak planking with the larger grain did you think it would come out just right? Excellent. Cheers Grant
 
@GrantTyler Wow, my friend, you will make me blush. I have to tell you that up to the point where I applied the CLOU stain, I very much had love/hate feelings towards the oak. Also, for me the build has been really challenging - sanding those filler blocks, reshaping the bow, planking with the oak and now the waterline has all meant that I could not relax for a moment. But now that I have reached this point, I love it!
 
Okiedokie - the waterline is done - I am very happy and it's a keeper! Thumbsup

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Sorry @Kolderstok Hans, but that is how I do a waterline. In Afrikaans we have a saying "A bok is a bliksem", so goats are not items of too much affection! ROTF

I need to touch up the two bottom wales with CLOU, but that will only be done after 24 hours of allowing the paint to dry out and harden properly. Tomorrow, in any case, is back to full-time teaching.
No sorry Heinrich, you’re doing a great job! And you are the captain, so we don’t have any right to complain.

Also in the 17th century there must have been sailors who’d like to do their job in a proper way, and make the waterline as sharp as possible. We tend to think it was much different 400 years ago, but I am convinced it wasn’t!
Some people like to do their thing in an easy way, others have the will and power to go the extra mile. Now, but also in the 16th and 17th century.
 
No sorry Heinrich, you’re doing a great job! And you are the captain, so we don’t have any right to complain.

Also in the 17th century there must have been sailors who’d like to do their job in a proper way, and make the waterline as sharp as possible. We tend to think it was much different 400 years ago, but I am convinced it wasn’t!
Some people like to do their thing in an easy way, others have the will and power to go the extra mile. Now, but also in the 16th and 17th century.
Thank you so much for the kind words, Hans. This afternoon, I am very happy with how the hull looks. Your Harpuis paint and the CLOU that you sent me, worked perfectly - thank you for that! Yes, I suppose human nature hasn't changed much through the centuries.

I have a question for you, though. Were all Dutch ships of that era painted below the waterline or only if they had the "dubbeling" against paalworm? The reason I am asking is that Ab told me that on the part of the wreck of Barentsz's ship that was discovered near Het behouden Huys and is now in St Petersburg, there was definitely no "dubbeling", whereas we know De Zwaan had a double layer of planking applied prior to the expeditions.
 
Lookin’ good Heinrich! Is the Admiral happier now?
Thank you very much Ron! Yes, the Admiral is very happy now, so no worries there! ROTF After I had put on two coats of Harpuis and cleaned up the waterline, it was a different story altogether! Luckily the hull was so smooth that I did not have to do any sanding between layers.
 
Yes indeed Heinrich. She is a real beauty!! Wow!
Thank you so much Daniel! You guys are wonderful and are keeping me highly motivated. I am very glad I could finish this phase of the build before the new semester - my shipyard time will be considerably less now.
 
This is an excellent result of a verry risky operation my friend.
Your waterline looks beautifull like this, and as the others, i love the way your oak looks now the bottom of your Willem Barentsz has been made yellowish white
 
Of course, there is the elephant in the room which has been discussed before (The white swan) ;)
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The transom on the replica doesn't even look close to the one your model, Heinrich.
The replica's transom is much more "elongated", if you like, than the in your model. That becomes even more apparent if one compares the aft gunports with one another. Can you shed any light on that, @Heinrich?
 
This is an excellent result of a verry risky operation my friend.
Your waterline looks beautifull like this, and as the others, i love the way your oak looks now the bottom of your Willem Barentsz has been made yellowish white
Thank you very much for the kind words my friend and for all the support. There were times (many actually) when things did not go according to plan, and I really struggled. That was when the wonderful support of my friends made all the difference! Thank you for that!
 
The transom on the replica doesn't even look close to the one your model, Heinrich.
The replica's transom is much more "elongated", if you like, than the in your model. That becomes even more apparent if one compares the aft gunports with one another. Can you shed any light on that, @Heinrich?
Hello Johan. First of all - the only reason I posted that picture was for a color reference. The replica shows a newly built full-sized ship in oak which offers the ideal opportunity to compare it to the color of the oak on my model after it had been treated with the CLOU. So, the sole purpose of the picture was for color comparison.

Now to answer your question. There are many, many differences between my build and that of the replica - not only the transom. The chief reason is simple - I am not building according to Gerald de Weerdt's plans. Of the three available plans plus De Veer's drawings, the replica is the one that I follow the least. Where there are similarities in my build to that of the replica, it is purely coincidental - in other words, my research has given me the same answers as the ones that Gerald arrived at, or it is borne out of necessity. A case in point is the position of the winch. I cannot place my winch where Ab has placed his, because Kolderstok has placed the front mast further back than Ab has - thus there is no space for the winch - and hence, I am forced to place it in the same position as the replica. The same applies to the number of gunports, where my research has also indicated six as opposed to the seven of Ab's drawings.

As far as the transom shape goes, the three different plans (Hoving, Kolderstok and De Weerdt) all show differently shaped transoms. The replica (De Weerdt) has the most elongated one, Kolderstok has the "flattest" one and Ab's is somewhere in between. Having said that, look at the position of the painted waterline on the transom of my model and that of Ab's.

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You will see that the waterlines on the transoms are in virtual identical positions - and that despite the fact that on Ab's model the transom appears to be more elongated.

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On the replica however - the waterline barely touches the very bottom of the transom indicating a very different interpretation to that of Hoving and Kolderstok.

Lastly, bear in mind that I am still building a kit and even though the Kolderstok kit is largely based on Ab's interpretation, it is inevitable that there will be differences. The reason for this build is to address the most serious of those differences where possible - where it is not possible, it is not possible. The only way that I will be able to build 100% according to Ab's plans is by means of a POF scratch-build.
 
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