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La Belle - CAF Models 1/36 by Signet

Time to put the wind beneath my wings - oh, wrong song. The wind into my Jolly boat's sail. Which means I have to work on the sail. Let's start with the sail, mast and spar design, which I drew up:
1792247258379.png
The "mast" is wood shish kabob skewer from my wife's kitchen, and the spar will be made up of two toothpicks, glued together with a simple splice joint.

I've found that when not used, the sail was wrapped around mast, to which it's attached, and the spar. They'll just fit within the boat's length:
1792247689113.png

I then drew the sail configuration up more accurately, getting ready to make a sample sail:
1792247889142.png

Using a light box, I traced the details of the sail with a pencil. This is just a trial sail, remember, cut from an old hankerchief:
1792248998794.png

For this trial sail, I thought I'd try gluing the boltrope in place before trimming:
1792249160883.png

I purchased some cotton yard fabric to use for sails (thinking ahead), and wanted the color to be consistent. I used some Rit Beige dye, leaving small pieces of fabric in for varying times, to determine a color. The results were, uh, surprising:
1792249687927.png
Yes, the pieces are greenish-yellow. More so than it looks in the photo, in fact. I researched the problem, and it was suggested I hadn't mixed it enough, nor used enough dye. A second try ended with even stronger greenish-yellow. So much for Rit dye!

In the meantime, I tried a different sail outline approach, including tabling and reinforcements:
1792250013070.png

I decided to go the tea route for coloring the sails. My first try was a bit too light, I felt:
1792250132896.png
A second try with more tea concentration worked out okay:
1792250176953.png
The beige color in the middle of the picture is what ANCRE says the color that French sails should be. No, this isn't close, but I like it. Plus, I think the beige is not really a great color for sails.

With the tabling folded over and glued using acrylic medium:
1792251022706.png
1792251048997.png

By this time I'd made several. Practice, right?
1792251124581.png

Time to add the boltrope:
1792251171281.png
A little bit of stitching in the corners should make them sturdier:
1792251420152.png

Finally, the sail is laced to the mast:
1792251459955.png
The spar in this case simply holds up the corner of the sail:
1792251536441.png
If you look closely, you can see the scarf joint in the spar.

Next to figure out the rigging required...
 
Rigging now determined, it was time to hoist the sail. Here she be:
1792264209022.png
At least 3 lines are required to sail a spritsail-equipped Jolly boat like this. Sometimes more to help stabilize the mast, but I've added the minimum, since it will all be stowed away anyhow.
1792264298983.png
1792264325095.png
I've mounted 2 cleats for use with the rigging lines in the boat, 2 fore and 2 aft. I'm using 3 of them here. While I wrapped the lines around the cleats, I didn't take the time to do it "right", since I was going to remove it all anyhow. Thus, the blue tape to hold the lines snug. Some more pics:
1792264590448.png
FYI, the three lines are:
1) The Sheet line is attached to an aft cleat and to the sail's clue.
2) The Spar holds the Peak of the sail up, and in turn it is held up and tightened against the peak by what's called a snotter, which goes through the mast and is attached to a fore cleat.
3) Not always used, I've added a line to the head of the snail, which goes through a pulley in the top of the mast, which prevents the sail from falling down in low wind. This line is also attached to a fore cleat.
More pics:
1792265081978.png
A better view of the lines to the cleats:
1792265124845.png
1792265170146.png
After tearing it apart (I really hated to do it, kinda liked the boat that way), I had to roll the sail like it would have been done for storing when not in use:
1792265326361.png
The scissors aren't indicating any cutting; they're just holding the sail with a triangular portion folded over. This was often done to make the rolled sail shorter and/or neater. I will be rolling the snotter line with the sail, leaving the others outside the roll.

Here's the sail all rolled up and in place on the boat:
1792265464547.png
1792265490747.png
And finally, with both the sail and oars in place:
1792265537454.png
Despite the fact that these are stowed in the normal position, this doesn't leave much room for men. Possibly they left the sail behind if just rowing to shore, or immediately raised the sail, possibly not taking all oars with them, for sailing with the wind. I don't know, but all that stuff is required at one point or another.

Guess that's it for the ship's Jolly boat. Now I'll start working on the hull structure for La Belle.
 
Okay, enough of me screwing around and not working on the subject of this thread, the CAF 1/36 Scale La Belle. CAF had done a 1/48 scale version of this vessel that has been done quite often. I don't envy those modelers; even the 1/36 scale will be a challenge to me in many ways. An Italian outfit made a 1/36 scale version, which appeared to be a group build on a German modeling site, and they are darn well incredible, as it was a great kit to start with. But no longer available, so I'm happy CAF has gone with this model.

I'll start by comparing the mid-section frame of the model with Boudroit's drawings included with his La Bell monograph:
1792435106536.png
Boudroit's drawing is on top, and includes for reference the plank locations. The kit drawing is below, showing cross-lines where joints are located. The other outline is quite close, with very slight variations in a couple areas. Probably within my sanding and shaping ability. The inner outline is thicker toward the bottom, but I'm happy about that, as it makes it stronger, and if I /really/ wanted it closer to the monograph, I could sand that area more.

(BTW, I know there has been a lot of discussion and research concerning problems with Boudroit's drawings and analysis of the actual, or theorized, shape of the hull. I don't want to get into that here. The small variations between the various versions will not, IMHO, be visible in the model. I will ignore Boudroit's information where I have specific information to the contrary, and will explain why. But the niceties of the hull shape will be beyond the scope of this build. Hopefully.)

I'm going to take the process of building a couple frames tiny-step-by-step, as I think/hope there are a couple details and other information that may help others. Obviously, I won't do this for the remaining frames. I decided to start with the M section frame, the only triple frame on the ship and located at the broadest portion of the hull, and a severely beveled frame #2, to see how that works out.

Anyone who has built a Plank-On-Frame (POF) ship model is familiar with this process, but to help readers who may not have built one, I'm including this detail. The first step is, for each of the 28 built-up frames, to determine which parts are required, and where they go. The manual included with the kit includes diagrams of each laser-cut board with its part, to help in this:
1792436167406.png

The needed parts for one frame are removed from each sheet. In the past, I've marked the part numbers beside each part, but so far I'm not doing that, partly because there's little room here to do it clearly. I do quadruple-check I have the right parts for each frame - the parts from adjacent frames are extremely similar, so this can easily happen. I've seen others write numbers on each part, but I don't like to do that. At least most of the time.
1792436533226.png

While looking at the various parts of the frames, and when comparing them to the frame outlines, you will find some lines that don't make sense, and seem like they shouldn't be there, like those circled below:
1792437160977.png
It turns out that they shouldn't be there. According to Tom, they are a "legacy from a previous version". That's kind of unfortunate, if you want to see the sides of the frames in your build, so you may have some extra sanding to do.

So, next I take the pieces for my frames, and place them in the approximate location to confirm that's where they go. I broke my rule of doing one frame at a time here, as I felt I was safe with the completely different frames being worked on:
1792437413416.png
Most frame parts of laser-etched lines on one side, like the center portion below:
1792437610119.png1792437631185.png

The "cross lines" I'll call them show the location of parts of the second frame, which overlap each other for strength a bit like a row of bricks. It's hard to tell from the photos below, but the notches are a bit narrow for the 4mm keel:
1792437917405.png1792437984882.png
The notches are smaller than 4mm by less than 1mm, probably closer to 0.5mm. That seems a tiny amount, and it is, but 1) It's a lot more than is required to remove the char (and it's debatable if when gluing notches and parts such as this that the char needs removed at all), and 2) That 0.5mm, or whatever, is much more of a pain to remove than it appears to be (and should be).

I guess I'm not as skilled as most, and maybe a bit more impatient, but I've used about a dozen files of various styles, grits and shapes to widen this slot, while 1) Keeping the slot from being too wide, 2) Keeping the slot centered, by not removing more material to one side than the other, 3) Trying to NOT deepen the slot by more than the char, and 4) keeping the bottom slot corners sharp so the 4mm pieces fit in as far as necessarly.
1792438389201.png
Sure, that's a common task for us model ship builders, and basically a simple one, but hard to get "just right". My first notch looks like this:
1792438558930.png
1792438687635.png
Yeah, it works, the part fits, and it will glue fine. But it's not neat. One side's a bit deep, and it's, well, ugly. Perhaps others have found ways of increasing the width of these slots, but I've not found a great one. This is the best way I've found to increase the width, without increasing the depth, which can more easily be done afterwards:
1792438799258.png
OF course, it depends on the state of the grit of each side being the same, but hopefully it is.

Again, why the big deal? Well, for just this frame Section 1 of La Belle, just counting notches involving the 29 frames, I need to make 116 notches, counting those in the keel and keelson. And, IMHO, there is no reason we should have to do this. Other notches, like those on the building frame, push together with little force and clearance without the touch of a file or sandpaper. The 0.5mm or whatever is allowed for this should not be there, for this location or any area where a known thickness piece (like 4mm for the frames) is inserted. The 4mm pieces are accurate within less than 0.1mm, most much less. The "normal" 0.5mm allowance for pieces like the frame outlines themselves should /not/ be necessary on the notches.

Tom - I know you're following - please consider allowing far less, maybe close to zero, clearance in laser cut notches when known thickness boards are inserted into them. Sure, the outline of parts needs the allowance, but not the notches.

Anyhow, after filing, sanding or whatever method (I considered buying a 4mm wide file, but couldn't find one, only a round one) the notch, the 4mm thick piece hopefully fits well and is of the correct depth:
1792439449650.png

After the ends of each piece are lightly sanded, they are positioned on the paper template using Fixo-Gum rubber cement to cement the pieces to the paper, and white glue to glue them to each other. As this is a triple frame, I can place the center frame with the laser lines pointed up.
1792440499283.png

Weights hold the pieces straight while the glue dries. I've used a piece of glass to mount frame pieces on in the past, but think my work area is level enough for this purpose.
1792440713436.png
After the glue of the first layer dries, I can add the second layer. The laser lines on the center piece are somewhat useful here, but all I really need is where the pieces start. I've found that excessive sanding for end-mating parts isn't really necessary, and can sometimes result in a shorter frame than desired. I prefer all the frames as high as possible, so I can be sure of obtaining the correct height.
1792440970130.png

So now there are two layers with one to go:
1792441117963.png

At this point, the center frame can be removed from the paper to add the 3rd layer:
1792441208441.png
Any Fixo-Gum can easily be rubbed off, any paper sticking is caused by the white glue, so a light sanding eliminates those items and provides a level surface for gluing the next layer. The template can't really be used for that, but isn't necessary, as you're just matching the parts to the existing structure. I started at the top, actually.

Frame #32, and all the frames /except/ number 12, the triple frame, are double frames so the initial procedure is a bit different. Most frames, in addition to the (unnecessary) cross lines, have lines that show where bevels are to be cut/sanded. TO be sure they will be visible when the frame is done, the frame pieces have to be placed on the paper with the laser-cut side down.
1792441551330.png

My single plate weight works well here for this smaller frame:
1792441588838.png

After the glue is dry, the second layer can be glued to the first:
1792441690839.png
Above is a good photo that shows the cross lines on the pieces. I don't feel they're required because the lines on the paper show exactly where things go. IMHO those are NOT necessary, and are just something that should be removed if visible on the finished model. Of course, the contour lines have to be included, because they indicate bevel locations.
Tom - Please consider eliminating the cross lines, as the aren't really required when using the paper templates.

After the glue is dry, the frame is removed from the paper:
1792441953861.png

Next I sanded the contours in frame #2 above. (The triple frame above has no lines or contour, so that's not required there)
1792442073768.png

I also removed the char and sanded the inner and outer surfaces of the two frames. I feel the inner contour will be close enough visually and construction-wise and this will eliminate inner sanding in place, which is difficult. I've also sanded the outside of the frames. After assembly, they can be recontoured, if necessary, but if that isn't required, they'll have been sanded with the grain, and have an initial finish coat.
1792442347927.png
And after a coat of finish: - Whoops, it seems there's a limit of 25 pics, so I'll finish this post and put it in another one.
 
And here's the finished 2 frames with one coat of finish:
1792442450621.png
I've removed most of the extra lines (false seams, not the real ones), except for the fore/top of frame #3, because I know it won't be visible.

That's it for today. I'm studying which frames I feel confident to go ahead with (I intend to make some changes like the gun port locations), and will be holding off on the keel for now.

A quick note about the frame construction on this model. I've been surprised that the double frames did not have both halves go all the way to the keel, like in the Granado that I built. It seems to me that the area near the keel needs to be the strongest (which is why most frames taper in both width and thickness as the go from keel to rail), but that's not the way this ship was built. It seems that the La Belle was one of the first proven examples of double frame construction; the French shipbuilders simply added additional frame 2nd and 3rd futtocks to the existing single U-frame, without adding the second 1st futtock that would form a normal double frame. BY itself, this would add little to the strength of a frame, but added to the entire hull structure, it would add strength and help prevent penetration by cannon shot or accidents.
 
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