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Le Saint Philippe 1693 after Jean-Claude Lemineur (Ancre) in scale 1:48
- Thread starter dockattner
- Start date
- Watchers 101
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- Tags
- 1:48 ancre saint philippe
Thank you, my friend. Tests are currently ongoing.
Thanks, Stephan. That sounds like Padoan.
What I have learned today is that I must seal the wood with something before adding any additional coloring. The rest of my model has no aging so I can't really go as 'rustic' as what others have done. If I do anything beyond sealing the boxwood it will be only for the purpose of highlighting the depth of the carvings rather than changing their overall appearance.
I watched your rotary carving tutorial again this week - great stuff!
Hello Paul,
just catching up on your build log, and very interested to see how you go about colouring the carvings. Great stuff.
just catching up on your build log, and very interested to see how you go about colouring the carvings. Great stuff.
Good morning Paul. The master craftsman is upping his carving skills- looking mighty fine. Personally I enjoy the some contrast in the decorative work, however from the photos I feel there is a tad too much with the rest of your ship (IMHO). Cheers Grant
Thank you kindly, Bryian!
Thanks, Grant. It's not easy to grasp the overall (future) look when I'm staring at just a little bit of the build at a time. And the only completed models I am aware of have been painted and/or gilded so that doesn't help me at all.
Lack of experience is hard to ignore.
A great job, just like all his other works.Wow, mon ami! Your carvings are absolutely stunning. The level of craftsmanship is truly impressive. You've really conquered the carving learning curve!
One thought, if I may. Diluting bitumen with white spirit and applying it to the carvings will darken the recesses and make the details stand out even more. This technique is often used to accentuate the grain and edges of the wood, giving it a more contemporary, aged appearance. Here is some of the work of Dmitry Shevelev.
View attachment 625260
However, if your goal is to maintain a more authentic or period-correct look for the ship, I would simply leave the wood treated with oil. The natural finish of Pear and Castello (box) already looks beautiful and lets the quality of your carving speak for itself. Here is the untreated versus bitumen-treated by Dima Shevelev.
View attachment 625261
View attachment 625262
I'm sure that if you wanted to repeat this style, you would definitely succeed, no doubt about it. But it's a matter of taste, and that's what matters most, but I'm sure you'll do it masterfully.
Well shellac on Buxus alone still took fingermarks, but I tried the renaissance wax and it seems relatively impervious!
Thanks, Richard. This is good information as shellac has not been a part of my trials (only using what I have on hand).
What I know so far is that if I want to maintain some level of color contrast then the boxwood needs to be sealed with something (anything) before even light aging with solvent-cut bitumen or other tinting agents. The leader in the clubhouse for sealing is actually the tung oil concoction I used on the pear. It adds a golden richness to the box that is a tonal match for the oiled pear. Now I just need to figure out if the look improves with further tinting (adding depth to the grooves) or if I should just leave it alone.
Truth be told I have little patience for trials...
I think trials are important, because you may find that darkened areas around the carvings might create a sort of silhouette effect.
Hi Paul,
As you say your boxwood is very similar to mine you can preserve the natural, or altered, colour if desired with the shellac/wax combo. I can detect no colour change, a very subtle and appealing chatoyance, and an extremely durable surface, I've been handling this test piece regularly for a couple of days and it is unmarked.
As you say your boxwood is very similar to mine you can preserve the natural, or altered, colour if desired with the shellac/wax combo. I can detect no colour change, a very subtle and appealing chatoyance, and an extremely durable surface, I've been handling this test piece regularly for a couple of days and it is unmarked.
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The final finish on the carvings remains uncertain. But just to get a sense of things I have temporarily installed a few of the decorations:
You will also notice that I have started to move upward. The model now features a new molding and cover/cap (blue arrow) that will form the base for some windows on the quarter galleries and flanking the six stern lights.
Next up - a molding to cover the exposed wing transom...
You will also notice that I have started to move upward. The model now features a new molding and cover/cap (blue arrow) that will form the base for some windows on the quarter galleries and flanking the six stern lights.
Next up - a molding to cover the exposed wing transom...
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I believe you are going to end up with a series of magnificent carvings adorning the galleries. Their final alignment of course will be critical, but the carvings themselves are outstanding!
I think they look great !
A wonderful job, Paul !
A wonderful job, Paul !
Looking awesome!!
Love the color contrast of the different woods. Hope you don't lose that with whatever treatment you select.
Thanks for sharing such great photos of your excellent carvings!
Love the color contrast of the different woods. Hope you don't lose that with whatever treatment you select.
Thanks for sharing such great photos of your excellent carvings!
Definitely coming together now. There is a lovely flow to the individual carvings which should become more apparent as their number increases.
That gives immediately very different and beautiful look, Paul. I'm sure this brought a smile …….
Regards, Peter