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Pavel Nikitin 1/25 Oseberg V.3

Boris,
Such brilliant work - mast step looks amazing as well a the benches.

PS: what did you use for cover hinges - I also intend to do more work with the benches including cover hinges and a closing clasp of some sort
 
New project: grooving the gangboards
After previously building the gangboards and making the necessary adjustments, I have now started adding the grooves. To replicate the scale-accurate strength and grip, I am applying these by hand.
For this, I use a modified needle file:
One side is customized to set the grooves cleanly into the wood.
The other side features a cutting edge for fine preparatory work.
By using a machinist square as a guide, the notches remain perfectly square and evenly spaced. Below are some photos of the work in progress.

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Looks to me a bit more realistic lower versus up gangboard
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To give you an idea of the process, here are the steps I follow to craft each oar:


Step 1: Turning the Base​

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The initial base of the oar is turned from a square timber strip measuring 1.2 x 1.2 cm.


Step 2: Maximizing Width​

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The remaining section of the 1.2 x 1.2 cm strip is sanded flat diagonally. This technique achieves a maximum width of 1.7 cm. I use the horizontal centerlines as a reference to ensure both sides are sanded down equally.


Step 3: Shaping the Blade​

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Once the blade's outline is marked, it is sanded into its primary shape.


Step 4: Refining Thickness​

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The blade is brought to the correct thickness using a belt sander.


Step 5: Transition and Detail​

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I use a rotary tool to shape the transition from the blade to the shaft and make final adjustments to the blade's thickness where necessary.


Step 6: Finishing Touches​

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The final touch is applied using a manual sanding block, with a bit of extra sanding wherever it's needed for a smooth finish.


Step 7: Completion​

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And there we have it—another oar ready.
 
The gangboards

I have finished adding all the grooves. However, I wasn't entirely satisfied with them yet. Since these gangboards were crafted from a single long board, the tools used were most likely axes and adzes, which would have left distinct marks.

I decided to recreate these traces to some extent. For this, I used a watchmaker's screwdriver that I previously modified into a curved chisel. It was perfect for roughening the wood, and the scale seems quite realistic.

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