We're not having fun if we're not spending money
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Vasa - 1:65 DeAgostini [COMPLETED BUILD]
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exactly.We're not having fun if we're not spending money
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If that's really the case, then I'm in a state of total euphoria.We're not having fun if we're not spending money
It is always a nice experience to try something for the first time (as rope making/baking), studying it first well, making errors then , and finally at the end enjoying the successful result! Thats one of the things I appreciate in this multitasking hobby of ours!
I really enjoy following your awsome build log my friend!
I really enjoy following your awsome build log my friend!
Thanks, everyone, for your kind and encouraging comments and all the likes. As you know model ship building can be a lonely isolating business so your interest in my Vasa build is very encouraging.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
And here it is installed on my model:
It actually looks acceptable when not under the scrutiny of macro imaging
.
Thanks for stopping by.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
And here it is installed on my model:
It actually looks acceptable when not under the scrutiny of macro imaging
.Thanks for stopping by.
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Hello Paul. That looks absolutely superb! To me your skills in painting these micro-features is still the singularly most impressive part of this build. That I cannot even dream of emulating you - not even in my wildest dreams. And how do they look on the ship? STUNNING! Like a glass stained window in an ancient cathedral!
No way Paul just too good !! it is so strange you posted this now as last night I started painting my decorations. Seeing how awesome you got yours .....actually perfect....is a credit to your talent. Man you are building an outstanding ship Paul. “Acceptable”Thanks, everyone, for your kind and encouraging comments and all the likes. As you know model ship building can be a lonely isolating business so your interest in my Vasa build is very encouraging.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
View attachment 275273
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
View attachment 275274
View attachment 275275
And here it is installed on my model:
View attachment 275276
It actually looks acceptable when not under the scrutiny of macro imaging
Thanks for stopping by.
you set high standards Paul.
Ditto, Paul. The paintings make this model several steps above all others I’ve seen.
Acceptable .....? This is beautifull and on a place where you always see it. Be proud, Paul.Thanks, everyone, for your kind and encouraging comments and all the likes. As you know model ship building can be a lonely isolating business so your interest in my Vasa build is very encouraging.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
View attachment 275273
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
View attachment 275274
View attachment 275275
And here it is installed on my model:
View attachment 275276
It actually looks acceptable when not under the scrutiny of macro imaging
Thanks for stopping by.
Regards, Peter
Out of this world Paul!!! Your talents at painting are wonderfully showcased on this ship. The combination of your woodwork and painting have made your ship a true family heirloom.Thanks, everyone, for your kind and encouraging comments and all the likes. As you know model ship building can be a lonely isolating business so your interest in my Vasa build is very encouraging.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
View attachment 275273
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
View attachment 275274
View attachment 275275
And here it is installed on my model:
View attachment 275276
It actually looks acceptable when not under the scrutiny of macro imaging
Thanks for stopping by.
You are all very kind. My humble thanks.
Hi PaulThanks, everyone, for your kind and encouraging comments and all the likes. As you know model ship building can be a lonely isolating business so your interest in my Vasa build is very encouraging.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
View attachment 275273
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
View attachment 275274
View attachment 275275
And here it is installed on my model:
View attachment 275276
It actually looks acceptable when not under the scrutiny of macro imaging
Thanks for stopping by.
Those decorations are absolutely stunning.
It's surely a lot of effort but definitely worth it.
All of your rope looks superb! This post is a micro-tech session on the do's and don'ts. I will be returning faster than an uncooked rope can un-ravel!
DAAAMMMNNN Paul! (meant as an expression of wonder and admiration)
I have never seen deadeye strops on tops done like this. IMPRESSIVO!
This is so good and vivid in the manner of stained glass, which is what all of your efforts at shading remind me of. Love it!Thanks, everyone, for your kind and encouraging comments and all the likes. As you know model ship building can be a lonely isolating business so your interest in my Vasa build is very encouraging.
Veterans of this build log will recall that I have chosen to paint the decorative bits. I confess that I did not know what I was getting myself into when I painted those first pieces and I would encourage future builders to carefully consider the time commitment (including an honest assessment of your personal interest in painting mini-miniatures). I believe everyone on this site could do a good job - it's just a question of what you want to be spending your time on. For me, while it does take oodles and oodles of time, the painting is enjoyable.
Because of the scope of the painting requirement I have been painting decorations in bunches. Sometimes a session lasts a few days and sometimes it lasts a few weeks. But once I have everything set up to paint I want to stick with it for more than a few hours and a few pieces.
All this to say the ship has been moved off my work table and it has been replaced by a wet palate and bottles of acrylic paints...
This post will feature the frieze that appears in the beakhead. You can see the resurrected version 'behind' the gammoning on the following image.
View attachment 275273
On the real ship this frieze is in dimensional relief but the kit simply provides a photoetched piece of flat brass (I briefly considered trying to carve something but the frieze is so fragile - and my carving skills so limited - that early efforts were quickly abandoned).
Obviously there are two sides to this piece (similar but not identical). Here is what I ended up with:
View attachment 275274
View attachment 275275
And here it is installed on my model:
View attachment 275276
It actually looks acceptable when not under the scrutiny of macro imaging
Thanks for stopping by.
In my hobby job when someone teaches something no one ever came up with before it is received with skepticism. I'm grateful the modelling community is more accepting. I did it wrong - but I got it done
(which I have recorded as a win with an asterisk).
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I love this post, Marc! The decorations on the Vasa were not fine art. They were roughly carved and roughly painted (most likely by the men who did the carving rather than by professional painters). I have made no effort to paint these in a high style (which I might even be able to pull off at a larger scale but was unthinkable at 1:65). Here is an art panel from the museum to give a sense of what was done at 1:1...
These are essentially in the baroque style (they have a stark realism and 'liveliness' created by bold colors and wide brushstrokes) quite different from Rennaissance art.
The fact that you identified that (as did Heinrich) is most gratifying.
EFF'N-A-RIGHT, you did!In my hobby job when someone teaches something no one ever came up with before it is received with skepticism. I'm grateful the modelling community is more accepting. I did it wrong - but I got it done
You raise an interesting avenue of discussion. It is generally opined that Vasa's sculptures were made by a congregation of local artisans and that they vary in their sophistication. My personal point of view is that ships like Vasa, in the late 1620s, were propelling the art of ship-carving and ornamentation forward. Yes, there is the English example of the Prince Royal of 1610 (?), but English ship carving at this early stage was entirely different in subject matter. Consistent with the "cutting edge" quality of the carving on Vasa, I think that the paint work would also have been of a similarly high quality - even if executed by the carvers, themselves. The main thrust of my argument, here, is that the quality of the carvings, throughout, is very high; I don't think that the quality of the painting would have detracted from it. As a matter of fact, I believe that the painting on the actual ship was deliberately stylized to be viewed from a distance. The Batavia replica expresses what I am saying perfectly. As a side-note, I still am saddened that the Werf's Provincien project will never come to completion. There was the artistic and technical talent, in place, to do such a subject as De Zeven Provincien, justice.