Hi Heinrich,Dear Maarten
Now this the type of research that I can spend hours reading. You are very fortunate in having such well-preserved wrecks to work from - with your through research, interpretational skills and computer literacy, I know that this these will be an expertly crafted set of plans - much better than what so called historians can come up with.
Wow, building without drawings, that's quite the challenge! Admittedly, I didn't have or made any drawings for the scratch build doors and hatches I made, but this is something else entirely. Add to the mix that IMHO this is a very complex hull shape... I'm definitely looking forward to your updates!Hi Heinrich,
Glad you like it, I only have to disappoint you regarding drawings. Exept for the drawings I made in delftship regarding the hull shape I don't plan to make any other drawings.
My idea is to build as they did in the 17th century, this means working with proportions only. The only sketches I will make is when preparing the part itself and sketch directly on the wooden parts. I have already prepared a list of parts dimensions based on Witsens which Ab made for his book about the Tasman ships. I proportionally calculated these to a 95 foot fluyt as i am building.
The Delftship model and lines drawings I will use to check and control the shape of the hull during the build process.
The Tallinn Fluyt is measured roughly at 25 mtrs, see picture below. If you would measure over the stem stern this would be slightly more. If I use Amsterdam feet then this hull is 90 A-feet, being 90 x 0,2831 = 25,48 mtrs
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Another very interesting chapter, Maarten. Wonderful that they were able to make these underwater 3D scans.A Long time ago since I posted on this upcomming build, but I am still doing a lot of work behind the scenes.
Currently I am especially gathering a much data as I can get on period build wreck sites which let me already to some very interesting digital archives, museums etc.
I also found an additional Fluyt wreck in the Baltic which sank 2 nd Q of the 17th century near Tallinn Estonia.
This wreck I found via Sketch Fab, the Estonian heritage committee made a 3d model of the site on sketchfab, which you can find here.
You directly see this is a fluyt by the shape of the stern where the upper frames are creating a very strong tumble home which is so characteristic for the fluyt.Barokiajastu purjeka vrakk/ 17th century wreck - 3D model by Muinsuskaitseamet
Laevavrakk asub Tallinnast u 20 km kaugusel Uusmadala ja Naissaare vahel 60 meetri sügavusel. See on üsna väheldaste mõõtmetega purjekas pikkusega umbes 25 meetrit, mis on seniajani säilinud praktiliselt puutumatuna. Vraki orienteeruvat uppumisaega aitavad määratleda vrakil asuvad nõud...sketchfab.com
What for me is very interesting about this wreck is again it preservation in combination with the upper part which fell of in time, this allows you to see the structure at a different level then in the other wreck and help you to determine the structure of the hull at different frame positions. The Ghost ship (swan) wrekc is preserved nearly complete including half deck and fore castle deck. This wreck is preserved up to the main deck so you can see below the fore castle deck and look into the great cabin. You can clearly see the bow and stern cant frames. You can even see from these frames that these are following the line of the outside planking which point to shell first building, but I will come back on that later. Typical Dutch shape of fluyt with blunt bow and stern.
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Different wrecks in different stages of preservation show all very valuable information for my reconstruction.
First we have Anna Maria in Sweden.
Anna Maria was exploded after her crew left her in port while visiting the local tavern and kept the fireplace onboard burning, OEPS.
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Luckily for me I can now see the frame construction towards the keel in the stern section .
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You can see here that the frame member are not connected to each other but only to the outside planking. You can see the frame structure clearly.
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I can measure the height of the hold to the orlopdeck and even the space between orlop and main deck, and use the ratios for my reconstruction and compare them to the data Witsen provides.
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On the bow you see the bow frames ad there position clearly following the shape of the outside planking in their placement. To me this means the shape of the planking was there before the frames were placed. These frame do not follow the same line as the stem, they are not perpendicular to the water line but but placed to create and even spread in the pre determined shape, read shell first.
The Tallin wreck is a s said more complete, we move from the hold and orlop deck to the main deck, but the half deck and fore castle are missing.
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The bow of this ship show exactly the same construction around the hawser holes as the ship I am going to build, and these part seemed to be carved. The top wale is showing a rounded shape.
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The frames in the stern and bow show the same positioning as in the Anna Maria bow following the shape of the planking which I marked below.
The stern section below.
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The bow section
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The blunt bow and stern are again comparable to the Anna Maria and the Ghost Ship (Swan).
The stern with its default cargo doors in the rear used for loading planks and tree tree trunks into the hold and on the orlop, which went through the great cabin. The smaller openings above are the cabin windows.
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It look like this ship has a second layer of planks as ther eis nearly no difference between the lower wale and the lower hull planking below the wale. I have read this is also the case for the Ghost Ship. In theory yu wont expect it for baltic traders as they are not prown to the famous ship worm. I have to dig into thos more to get an explanation, maybe the strenght of the ship in ice would be a reason.
Next time I will show more interesting construction details and other sources of research material.
Looks like an interesting read.Hello Maarten,
Maybe the book " Het model van het Fregat "Geelvinck' " can help you with the technic of building shell first.
It's about another type of vessel but it shows how building shell first looks like.
Good luck
Hans Peters
Hoorn
Hi Hans,Hello Maarten,
Maybe the book " Het model van het Fregat "Geelvinck' " can help you with the technic of building shell first.
It's about another type of vessel but it shows how building shell first looks like.
Good luck
Hans Peters
Hoorn
Hi Jim,Good morning, Maarten.
Yesterday, while browsing my books in the Russian Language, I came across some photos of Fluyit. This is the drawing by Villem Van Velde from the Museum of History Seamanship in Amsterdam. You may find them usfull.
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Thats due too the way of building. In shell first the individual frame parts are not joined to each other which means the don't have to fit to each other which makes the building process much more simple. Secondly every piece of frame timber could be tailor made to fit in the shell created. A 30 mtr Fluyt on a Ducth yard was build in just a few months with a yard crew of 20-30 people. You can't compare that with an English navy yard where 2-3 years for a ship were needed with a multiple number of yard personel. Offcourse a navy vessel was also much more complicated then a regular merchant ship.And we work sooo hard to perfect every little detail on our ships and boats!
Maybe I should build Dutch ships from now on. I can just throw things together and say that’s the way it’s supposed to be.Thats due too the way of building. In shell first the individual frame parts are not joined to each other which means the don't have to fit to each other which makes the building process much more simple. Secondly every piece of frame timber could be tailor made to fit in the shell created. A 30 mtr Fluyt on a Ducth yard was build in just a few months with a yard crew of 20-30 people. You can't compare that with an English navy yard where 2-3 years for a ship were needed with a multiple number of yard personel. Offcourse a navy vessel was also much more complicated then a regular merchant ship.
BTW a large part of the French war fleet was also build in Holland especially in the first half of the 17th century.
Thank you for sharing Maarten, wonderful pictures and very informative.Last Sunday I paid a brief visit to the Batavia yard and museum. There they have a 17th century wreck of an inland waterway fishtrader called a ventjager which was found when creating the new land of Flevoland which was still sea bottom at the beginning of 1900s.
I was mainly interested in the lower part of the hull, meaning the planking of the floor and bilge and if this pattern could be used for the Fluyt.
Here you see the ps side of the ship which is very well preserved as this side was covered with mud, the SB side is gone creating a perfect half ship section.
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On the bow you can perfectly see that the three planks creating the floor are parallel to the keel.
The planks creating the bilge are enclosing the floor planks and end at the stem.
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The same in the stern
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In this ship the top planks are again parallel to the wale as the bilge planks are spliced. This I don t see this in the investigated fluyt wrecks where the top planks are ending against the wale and are not running parallel with it in the stem and stern sections.
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So I got a clear picture how to plank the floor and bilge of the fluyt.
For the rest I got some inspiration about the hull. My fluyt will be build as a real work horse with plenty of patina. For this I will create section of repairs in the planking. I have seen this on multiple wrecks but this one really has a lot of contemporary repairs. See below some of these.
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Also some ideas about interior decoration. This ship cabin is really well preserved.
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At last the internal framing shows you a shell first build ship, again no interconnecting frame members, only connected to the planking.
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And the floor and frames in the bow.
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I wouldn't say it was that easy:Maybe I should build Dutch ships from now on. I can just throw things together and say that’s the way it’s supposed to be.