The only issue I have with the way this document is presented is that he does not annotate his sources throughout the document, and his sources (as listed at the end of the document) are extensive. Consequently, unless you have also read all of those books, yourself, it is impossible to separate fact from inference.
I have a number of those books in my library, and to the degree that I can parse through French texts, I have found Mr. Maher’s observations to be largely consistent with my own. There are certain specific things that I disagree with, but this is the most expansive body of research that attempts to paint a picture of what early SR may have actually looked like.
Apart from Hyatt’s description of the Royal Louis in 1677, there is precious little descriptive information surviving in the archives. That is why the main thrust of my research has always been to try and contextualize the surviving portraits of French ships to the actual time that they represent.
This is an on-going effort, and I have discovered, since the inception of this project, that many of my early suppositions were not correct. For example, I know that the following two portraits definitely represent the Royal Louis. Until very recently, I have supposed that this Puget portrait represents the refit version of the ship, after 1677:
With that in mind, I then supposed that the Van Beecq portrait must represent her at some point before this 1677 refit:
Well, if I may reference a discussion in Aurelien’s log, Mr. Maher makes a very compelling case that the Van Beecq portrait actually represents the refit version of the RL, post 1677, which would be renamed Royal Louis Le Vieux (The Old), after completion of the second Royal Louis in 1692. That, Maher posits, is actually what is represented in the Puget portrait. This discussion begins with post #44:
And it's not accurate compare to berain drawings. So the soleil royal or the royal louis couldn't have this white flag without fleur de lys, noted (if I got it wrong, tell me). This representation based on tanneron model did the flag with the king's royal symbol On tanneron, I wonder what was...
shipsofscale.com
What I find most admirable about Mr. Maher and his research is that it is a “living” document. He is continually reading, and digging and challenging his own suppositions, and so this document he has produced is already in its fourth revision. He is not absolutely married to every last conviction he may have, at the moment, and that is the course-correcting path that eventually leads to a clearer and clearer picture of what may actually have been the truth.