Thank you for this Christmas gift, Paul. She is stunning to behold, and she REALLY holds up well to intense scrutiny. There are so many subtle details in the paint-work; accents and highlights, throughout. I love it all!
Thanks Marc!Thank you for this Christmas gift, Paul. She is stunning to behold, and she REALLY holds up well to intense scrutiny. There are so many subtle details in the paint-work; accents and highlights, throughout. I love it all!
You meshed up those windows very well!Thanks Marc!
An anecdote for you @Hubac’s Historian... Quite a long time ago I painted the windows for the stern. They were from a photo-etch sheet provided with the kit. At the time I considered them more than acceptable. But as time went on, I started to wonder if they were actually good enough. And then I started to have these annoying thoughts that you (and others that share your mind-numbing talents out there - you know who you are) would be disappointed if I used them. They were good - but not exactly realistic. Eventually I told myself to grow up and just use them - I didn't get into this build looking for validation from others - I wasn't going to start now...
Last week I set about finishing the stern decorations but the windows I had painted so long ago had gone missing. What ensued was a childish and desperate attempt to find these windows that I didn't even like all that much. I tore the place apart! How dare they go AWOL! After all we had been through together - the emotional anguish - the wringing of hands - the hours of self-reflection!
So I had to make new ones just like you would have expected me to do!
Here is what the kit provided (this image is from the instruction manual - I never took a picture of mine which might be telling...):
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And here are my replacements:
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You got the last laugh on me, and you didn't even know it was happening!
If anyone cares, they are made from card stock and window screen repair mesh from the home improvement mega-store near my house...
I agree. In the mesh windows most kits provide, the screen mesh is so thick there is no room left for the window glass.Ha! Well, I would not have had anything to say about your work on the stock windows, however, your screen-mesh replacements are soooo much better scaled. With the tops and lower masts in-place, one can begin to get a sense for what’s in store. Let the fun begin(continue, really)!
NO! Post the rigging process Paul! Perhaps your purpose in life will only be to serve as a warning to others! Your intrepid failures could save millions.Speaking of decisions, I have decided that I will not be posting a play-by-play report on my rigging. I am certainly no expert so no one will really learn anything from me - and at 100 pages this build log is unwieldly enough already. If something is interesting, I'll certainly post it. Or when I complete significant stages it seems right that I should post a progress report.
I found rigging build logs the most useful t
100 pages? ...HOLD MY BEER.Your progress to date Paul is exemplary and it’s not surprising that you have have reached nearly 100 pages of build log - it’s filled with all the contributors praise you so deserve!!
Regards
PeterG
Good Morning Paul. I am voting with the rest of the fellows following your log. 100 pages has been a study of excellence. You do have a unique skill set and how you have presented your build log has been nothing short of exemplary. I personally would love to see your rigging process. Cheers.Hello Friends,
A while back I promised to post a picture of the tinted ropes I intend to use for the standing rigging. In the following image you can see the darker line set alongside the lighter line I will use for the running rigging:
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Yes, I know most everyone uses dark brown or black for fixed lines but for my build I am settled on less contrast. Go ahead and write up your hate mail - even if you never send it, you'll still feel better .
And here is my first bit of rope work...
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I noticed that on the Batavia the wrapping rope was a smaller diameter than the gammoning - and a few builders have used that approach. But Anderson and Mondfeld make no mention of that practice and the museum ship likewise keeps the wrapping rope the same diameter as the gammoning rope (indeed, it appears to be the same rope re-directioned). Decisions...decisions...decisions...
Speaking of decisions, I have decided that I will not be posting a play-by-play report on my rigging. I am certainly no expert so no one will really learn anything from me - and at 100 pages this build log is unwieldly enough already. If something is interesting, I'll certainly post it. Or when I complete significant stages it seems right that I should post a progress report.
I'll also be reaching out for help along the way so please feel encouraged to provide help or advice if you know how to solve one of my future questions or if you see mistakes in my rigging.
I truly enjoy following your work - you are a talented group and I have been learning from you and admiring your builds.
Onward with the rigging!
Hi Paul I like your tinted ropes so much that I would consider not using black standing rigging on a future build. As for cutting down on the number of posts during the rigging process I agree with everyone else keep the post coming. I am always amazed at your work, the way you tackle problems and the excellent results.Hello Friends,
A while back I promised to post a picture of the tinted ropes I intend to use for the standing rigging. In the following image you can see the darker line set alongside the lighter line I will use for the running rigging:
View attachment 280720
Yes, I know most everyone uses dark brown or black for fixed lines but for my build I am settled on less contrast. Go ahead and write up your hate mail - even if you never send it, you'll still feel better .
And here is my first bit of rope work...
View attachment 280722
View attachment 280723
View attachment 280724
I noticed that on the Batavia the wrapping rope was a smaller diameter than the gammoning - and a few builders have used that approach. But Anderson and Mondfeld make no mention of that practice and the museum ship likewise keeps the wrapping rope the same diameter as the gammoning rope (indeed, it appears to be the same rope re-directioned). Decisions...decisions...decisions...
Speaking of decisions, I have decided that I will not be posting a play-by-play report on my rigging. I am certainly no expert so no one will really learn anything from me - and at 100 pages this build log is unwieldly enough already. If something is interesting, I'll certainly post it. Or when I complete significant stages it seems right that I should post a progress report.
I'll also be reaching out for help along the way so please feel encouraged to provide help or advice if you know how to solve one of my future questions or if you see mistakes in my rigging.
I truly enjoy following your work - you are a talented group and I have been learning from you and admiring your builds.
Onward with the rigging!
Dear DocHello Friends,
As I make the transition to rigging, I have been forced back into the build logs of my Vasa-building predecessors. In doing that I was reminded of the general level of excellence to be found in this niche community. On this forum and others there are some really masterful renditions of my beloved Vasa.
Equally impressive is the variety of rigging solutions for this ship. Indeed, there are more different interpretations than there are universal agreements. In fact, folks will make claims with great confidence: THIS IS HOW YOU DO THAT - and others will be equally assertive for an entirely different approach. At first I was greatly dismayed by that, but then I felt a certain freedom rising up from the discouragement. If people who know what they are doing have made different choices the 'bar' isn't as high as I feared it might be.
Anyway, I spent the entire day yesterday studying books, rigging guides, and build logs looking for answers to a very narrow set of questions about shrouds and mast tackles (and a bit about stays). Nothing was 'accomplished' on the ship itself - but decisions were made, and I'll call that progress.
Just so I could get my sea legs I decided I would rig one line. My goal was to get a sense of the skills I would need to develop. I served a rope, seized blocks, attached a hook - all things YOU already know how to do. For me it was all new ground being traveled (though I did rig cannons previously).
I also built some 'helpers' to assist me during the rigging stage. I have one of those alligator-clip 'third hand' things but I couldn't get it to hold lines securely or keep the rope straight enough for my tastes.
Here is my first finished line - a forward mast tackle using a violin (fiddle?) block and single block/hook at the channel (what Anderson calls a four-part Dutch tackle):
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I started by creating a loop (a bight?) in the line. The rope diameter is 0.66 mm (I'll use the same size for the foremast shrouds) and has been served where it lays over the mast.
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I then rigged up my blocks. Here is my 'helper' helping me tie into the loop at the violin block:
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And here are some close-up images for your critical review. First, the loop over the mast:
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The rigging at the violin block:
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And the rigging at the channel:
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Things I learned so far:
Perhaps the most important thing I learned was that I did not 'hate' this as much as I feared I might. I was not super enthused with the process of rigging cannons, and I feared that might carry over. At least for now this was more fun (satisfying) than drudgery.
- This is going to take a long time.
- I don't have enough rope made - there is a lot of waste.
- Tweezers work better than fingers (at least in my hands - I'm pretty comfortable using small tools).
Still, it is clear I have rolled out of the blow-up 'pretty princess' kiddie pool right into the Olympic-sized competition pool...
This would be a great time for you all to point out things I did wrong during this trial run. I would be most grateful for your wise counsel and tricks of the trade.
Peace.