Hello Everyone
We continue ...
@Pathfinder65 Jan earlier said that he is very interested in Tung Oil as a finish and I promised him that in the next posting, that will be covered. After everything that had to be glued, had been glued (no glue will adhere to a surface that is covered by 100% Tung Oil, I could start the process.
What is Tung Oil?
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Tung oil is the oil from the seeds of a tree that originates in China (Aleuritis fordii and Aleuritis montana). The fruit of this tree that is 12 m (A. fordii) or 20 m (A. montana) in height contain 3–5 seeds. The seeds have a hard shell and contain ∼50% fat in their kernels. Despite its limited accessibility, tung oil is a favorite among furnishings due to its environment-friendly and versatile use. (Source:
https://www.sciencedirect.com/topics/agricultural-and-biological-sciences/tung-oil)
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The seeds of the Tung tree.
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Different samples during the filtration process.
However, applying Tung oil correctly, is a long, drawn-out process. It can take up to two days for each coat to harden, and depending on the wood and finish that you want, you may need at least 5 to 7 coats before you can have a protective durable finish. After that, regular reapplication is required once every week for a month and then once every month for a year, and later, from the second year onwards, once every year. The result is a beautiful, honey-like finish (again depending on the wood and the Tung oil.)
Tung Oil meets the Sampan:
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Brown "gold". I am extremely fortunate in that I do not have to rely on commercially available tung, but that I have a contact who can supply me with the 100% pure variety without any preserving additives.
I started off by diluting the Tung Oil with mineral turpentine in a ratio of 40:60. The thinner mixture will allow the oil to penetrate better into the wood, while the turpentine aids in evaporation. The mixture can be applied with a natural bristle brush or sponge or a clean cotton rag. Using these methods eliminate any unnecessary “lines” forming on the wood. These few methods are preferred to avoid any harsh lines.
It is important to start with those places that are hard to reach or largely invisible to the eye. If any boo-boo occurs, it can be rectified immediately and once done, those places do not have to be reached again later. In this case it meant that the sleeping cabin (the part covered by the canopy), the fish tank and the storage spaces were done first. The oil is applied in the direction of the wood to ensure that it saturates the wood as much as it can. The first coat must be applied liberally, must be spread evenly. Look out that there are no puddles – if that is the case, dab those areas immediately with a Kleenex, tissue or anything that will absorb the moisture.
As soon as the first coat is dry (in my case it took less than two hours), apply the second in the same way with the same mixture. Now leave to dry overnight. This where the following tip comes into play. Leave the tung oil / turpentine mixture open during the night as well. During the night, the turpentine content will evaporate further, automatically changing the ratio of the mixture to one more biased towards the oil.
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The above four pictures show the sampan after the application of the first two coats. Now it will stand overnight and tomorrow I will continue.
In the meantime let's take a look at how the caulking was done on the sampans. This information and photographs are derived from Ying Ying's research.
Technical Choice and Social Practice of Sampan Boats:
A Case Study of Tanka Sampan and the Dweller in Ethnoarchaeology
Archaeology Master Dissertation - Ying Ying YAN
" All the seams were caulked to ensure they were waterproof. Caulking here refers to the process of filling the gaps between the planks by using a mixture of fibre and tung oil. The typical material used for caulking was generally greasy materials and plant fibre (Guo, pers. common, 2017). There are accounts from literature in the Ming Dynasty (1368-1644) that describe the raw material for caulking: “China wood oil or fish oil are mixed with lime to make putty, add silk fabrics … for caulking the seams (Song, 1637: 289). The precise formula for the caulking materials was said to be “The lime should have high quality, oyster shells are the main material … the insufficient of oil would lead to the failure of bonding the lime (Li, 1553: 845)
There are also notes on the fine craftsmanship: “shipbuilders must have a poised mind, a pair of eyes with keen sight and powerful hands (Song, 1637: 290).” These aspects implicate the specific craft tradition. The following figures were collected from the shipbuilder from that area, introducing the caulking sequence (Xu, pers. common, 2017)"
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Firstly, the padding was used to fill the seams between the planks.
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The caulking material was compacted with tools like a chisel.
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Subsequently, more mixtures of tung oil and fibres were inserted into the seams.
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Finally, a mixture of tung oil and ash was applied to the seam, and the caulking was done.
After caulking, further waterproofing measures were taken in the form of a coating that was applied on the surface of the hull. The interior was lacquered in red* coating. The exterior was varnished with China wood oil (normally tung oil).
*This piece of information I discovered too late to incorporate into this build, but it will be done on the Tanka sampan.
And that my dear friends brings us to a close of tonight's posting. It may not seem like much progress, but bear in mind that I spend an equal amount of time on the actual build and on compiling this log. I want to thank each and all for the tremendous support that you have been giving me during this build. It has been absolutely heart-warming and is deeply appreciated.
Kindest regards - Heinrich