Endurance (1912) - Occre, Scale 1:70 - My First Shipbuilding Adventure

I'd like to do airbrush.
Painting on paper is easy, pre-mixed Opaques View attachment 485768
But mixing Acrylic to airbrush ??
I tried last night at mixing, painting but couldn't get it above the consistency of English Breakfast. :p :p

Yeah inks spray beautifully.

What kind of acrylic? Which manufacturer?

Also you probably need to seal the wood.

Then there’s the question of primer.
 
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I just painted mine and I used an airbrush with Tamiya semi gloss black, it took many coats but ended up with a nice smooth finish, some may not like it to look so glossy, but I like the look of a boat that was just completed and not one that has been out to sea a while. Yes, planking is tedious, and I have heard that many modelers have quit because of that task, however it is probably one of the most important to have a gook looking model.
 
I remember someone whom I greatly admire and respect on here mentioned to me at the start of my planking to my darling ship that it was a "dog of a job"
Now I can totally agree 100% ROTF
I have learned a lot more lessons than I ever envisaged the quantity of mistakes I was destined for, but I have to say, as much as a dog that it is, the real sense of satisfaction, achievement and those warm fuzzies only come at the very end when you look at the completed hull and just think.........."yeah".......
Would I do it again? I most certainly intend to; would I have a crack at PoF one day? Sure, why not.
A constant reminder to myself that the Hull of the Endurance is painted Black, I didn't stress too much about a few irregularities along the way, knowing I could add wood filler without showing too much sin.
Getting excited now because I will hopefully see fairly swift results from my efforts and start to show progress - don't get me wrong, but you know - jeez - one plank, and another plank, let's do another one, I have an idea, put a plank on, oh what the hey, put 3................

View attachment 485766 View attachment 485765
Good my. Hull looks mighty fine. Occre veneer can be brittle but looks like you owned this. Cheers Grant
 
varnish then black

You’ll enjoy the look of it under varnish. (One of the many possible varnishes)

And black covers really well so you are on a winner.

Probably best to knock up a paint ‘mule’ with some planks glued to a bit of leftover plywood then test the varnish, paint combo for incompatibilities. Paint can refuse to dry, bubble, craze, look different on different substrates, go streaky, dry on the brush, fall off, be too glossy, too Matt or both, and just look wrong. You name it paint can do it!

Everyone has their own favorites. Some people love brand X but others can’t get it through their airbrush. Paint is a big deal in plastic modelling so I may be in the habit of over-thinking it. I’ve had a lot of problems painting wood since swapping to wood.

Here’s a suggestion I can’t resist making. Don’t use dead black. It’s too black and looks toylike. A very dark grey (add a little blue, a little white) or v d brown (add a little red) looks more like a black painted hull seen from a viewing distance of a hundred feet. Atmospheric haze eh?

On the other hand many modellers think that’s all tosh. On the other other hand many folks think snow is always white and wood is always brown. Don’t take my word for it. Go compare a new black car 100 ft away with a black painted object in your hand.

Other than that, I won’t push a particular way of doing things. For one thing, I don’t know what’s available down there. Im happy to give my personal experiences and opinions any questions if it helps though.
 
I think Smithy is probably correct. In armor modeling, we hardly ever use straight black for anything for exactly the reasons he mentioned. I also recommend avoiding white to tint black towards grey. Light tan often provides better results.
 
I also recommend avoiding white to tint black towards grey. Light tan often provides better results.

I agree. I add a blue grey (slate grey) but I think that any colour is better than straight white for getting a nice ‘almost black’

I never use straight white on a model either. Partly for atmospheric considerations but also because our pure brilliant white pigments weren’t invented until mid 20th century. Would you agree with that @Namabiiru ?

Come to think of it, late nineteenth century black was probably tarry stuff which weathers to medium grey very quickly if road tar is any indication. Hmmmm…
 
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What he said. Although a coat of shellac over either might tone it down enough (did someone say test piece?)
 
Probably best to knock up a paint ‘mule’
Great advice again mate, I have more than enough spare planks to test on Thumbsup
Don’t use dead black. It’s too black and looks toylike.
"Toylike" is precisely the look I'm desperate to avoid, so your mixing suggestions is another winner mate.
I'll start that little exercise later today and gain a little experience.

Pure brilliant white pigments weren’t invented until mid-20th century
Question: I used the Occre White, but you mentioned white is too white (I do get that), what would you suggest adding for a less white, like a 1914 white?

Added the Keel last night ;)Thumbsup
One whoopsie and a "note-to-self" later :p
I need to remind myself from here on in that she's a delicate soul and needs to be shown respect, not clunked around the shipyard like I probably did during planking ROTF

23rd Nov (2).jpg 23rd Nov (1).jpg
 
Question: I used the Occre White, but you mentioned white is too white (I do get that), what would you suggest adding for a less white, like a 1914 white?

Yellow ochre. Try for a pale cream colour. They were using linseed oil as binder and turpentine as thinners, both slightly yellowish and lead carbonate for pigment which has red and yellow undertones.

I always break off my boat’s beaks. The only reason I haven’t done it on Alert is that it hasn’t got one. ROTF
 
Yellow ochre. Try for a pale cream colour. They were using linseed oil as binder and turpentine as thinners, both slightly yellowish and lead carbonate for pigment which has red and yellow undertones.

I always break off my boat’s beaks. The only reason I haven’t done it on Alert is that it hasn’t got one. ROTF
You legend of a man :p ThumbsupROTF
 
I need to remind myself from here on in that she's a delicate soul and needs to be shown respect, not clunked around the shipyard like I probably did during planking ROTF
Good morning. I’m with Smithy. Took me a couple of breaks and repairs to learn this (clearly I’m a slow learner ;)). I generally leave protruding parts off my ships until I absolutely have to. Cheers Grant
 
Yellow ochre. Try for a pale cream colour.
"Try" being the word of the week! ROTF
Wow, what a day that turned out to be Redface That Yellow Ochre is possessed I reckon !
I put a healthy glob of white into a mixing glass and thought I'd add the Ochre gradually until I was happy with the colour.
I must have just put the tiniest amount of the yellow in there, and the white turned yellow - like - Yellow!
I added more white - nope - more then - still nope - a lot more, how's that? - meh, maybe, ok then, twice than a lot more - getting there.
I wanted a 1914 White, not a 2024 Cream - not sure what the difference is come to think of it - so I got the big guns out.
My darling wife is an absolute legend at colours, interior decorating and coordination is her superpower, so she helped me get that 1914 white I was after, and while she was in that mode, helped me achieve that "old" black that I wanted.
Game set and match - I hope.
I won't send pics, I was going to, but then there's no way they would have showed what we see here in the pots.
So, after all that, a BIG thanks once again to Smithy and Co. here in SOS, all your help, advice and suggestions are always hugely appreciated Thumbsup;)

T.S.C.
 
"Try" being the word of the week! ROTF
Wow, what a day that turned out to be Redface That Yellow Ochre is possessed I reckon !
I put a healthy glob of white into a mixing glass and thought I'd add the Ochre gradually until I was happy with the colour.
I must have just put the tiniest amount of the yellow in there, and the white turned yellow - like - Yellow!
I added more white - nope - more then - still nope - a lot more, how's that? - meh, maybe, ok then, twice than a lot more - getting there.
I wanted a 1914 White, not a 2024 Cream - not sure what the difference is come to think of it - so I got the big guns out.
My darling wife is an absolute legend at colours, interior decorating and coordination is her superpower, so she helped me get that 1914 white I was after, and while she was in that mode, helped me achieve that "old" black that I wanted.
Game set and match - I hope.
I won't send pics, I was going to, but then there's no way they would have showed what we see here in the pots.
So, after all that, a BIG thanks once again to Smithy and Co. here in SOS, all your help, advice and suggestions are always hugely appreciated Thumbsup;)

T.S.C.

Sorry mate I could have mentioned that. White tints easy but black takes a lot of colour to change its hue. I’ve wasted pots of paints myself learning that.

I’m curious what type/brand of paint you are using? If you are planning to airbrush acrylic as you said before, I guess something designed for models?
 
I’m curious what type/brand of paint you are using?
The brand that I mixed is Vallejo, Occre did supply a bunch of small pots, well, Bials really, and some colours are in there that I've
no idea where they're intended for.
Airbrush? Hmmmm - nice thought - but to be honest I'm thinking twice about it.
Like I said previous, when I was doing portraits, it was only ever Black, White and Grey ink, easy-peasy.
I had a crack at thinning down a white the other night but jeez, to get it go through without tip-dry every 15 seconds it was practically like water.
Are there any pre-mixed airbrush paints on the market? - But then again - they will be stark white and black as black I guess.

I've taken a pic of the Black, really unsure how it's going to look on here but here goesROTF

24th Nov.jpg

On the left is the Occre as is.
Actually, the sample on the right is not far off from seeing it "in the flesh" so to speak.
 
The brand that I mixed is Vallejo, Occre did supply a bunch of small pots, well, Bials really, and some colours are in there that I've
no idea where they're intended for.
Airbrush? Hmmmm - nice thought - but to be honest I'm thinking twice about it.
Like I said previous, when I was doing portraits, it was only ever Black, White and Grey ink, easy-peasy.
I had a crack at thinning down a white the other night but jeez, to get it go through without tip-dry every 15 seconds it was practically like water.
Are there any pre-mixed airbrush paints on the market? - But then again - they will be stark white and black as black I guess.

I've taken a pic of the Black, really unsure how it's going to look on here but here goesROTF

View attachment 486079

On the left is the Occre as is.
Actually, the sample on the right is not far off from seeing it "in the flesh" so to speak.

Ooh, I like that ‘black’ I’ve seen that on old canal boats (I’m a long way from the sea). Just the job.

Vallejo paints are tricky to spray. Their main market is brush painting figure modellers. I love their game colour range - so vivid! The Modelcolor range is also good on a hairy stick, though the colours are inconsistent between batches and often are nothing like what it says on the bottle. Not really a problem for us but aircraft guys hate it.

Vallejo do a pre-mix range. Modelcolour Air but I found it still needed a bit of thinner.

Airbrushing paint needs to be as thin as the inks you are used to. That means you need a paint with enough pigment content to stand the dilution without becoming ridiculously translucent.

Several thin coats are the usual thing. Don’t expect the first coat to cover well - if you do, you’ll put too much on and get runs.

If you spray it on THIN, especially in your summer climate, by the time you’ve finished the first coat, stood up and had a stretch, it should be almost ready for a second thin coat. Honestly, it took me years to get airbrushing right and the mistake I made over and over again was under-thinning.

Thick paint dries on the tip causing stoppages. It dries in the brush’s cavities making cleaning very difficult. It dries in the air before reaching the model giving a sandpaper finish. It dries on the model too fast for it to level out making orange peel.

Do an experiment with any paint you want to airbrush. Thin it to water consistency and then thin it again. Try it. Thin it again. Find out how thin you can go before it splits. Then use it just this side of its breaking point.

You also need very finely ground pigment so the particles will not clog - that’s why artists paints are no good.

You also need a strong binder that will hold everything together when very diluted. That’s Vallejo’s weak spot. Their paints are kinda rubbery for days after drying, while they cure fully. Even after curing Vallejo is easy to scratch. I believe the binder is chemically close to latex(?). If it’s over thinned it ‘splits’, falls apart chemically and turns to porridge.

Vallejo bottles are hard to stir. You can only shake them and if you don’t get the binder, solvent and pigments properly distributed, you are doomed. Nothing will be predictable. I put the bottles in my pocket in the morning and let a five mile dog walk and the body heat put them into prime condition.

I no longer try to spray Vallejo but use them for all my brush painting. I spray Tamiya.

Tamiya paints are awful on a paintbrush but spray like fairy dust. They use a water/alcohol thinner and so can be thinned so they are wetter than water alone. They dry and cure fast to a tough hard finish. Gunze Mr Color paints are very similar but better still. Unfortunately v pricey here and hard to find sometimes.

Dammit! I knew that if I started talking paint I’d ramble on like the pub bore. I’ll stop now and get me coat. ROTF
 
Ooh, I like that ‘black’ I’ve seen that on old canal boats (I’m a long way from the sea). Just the job.

Vallejo paints are tricky to spray. Their main market is brush painting figure modellers. I love their game colour range - so vivid! The Modelcolor range is also good on a hairy stick, though the colours are inconsistent between batches and often are nothing like what it says on the bottle. Not really a problem for us but aircraft guys hate it.

Vallejo do a pre-mix range. Modelcolour Air but I found it still needed a bit of thinner.

Airbrushing paint needs to be as thin as the inks you are used to. That means you need a paint with enough pigment content to stand the dilution without becoming ridiculously translucent.

Several thin coats are the usual thing. Don’t expect the first coat to cover well - if you do, you’ll put too much on and get runs.

If you spray it on THIN, especially in your summer climate, by the time you’ve finished the first coat, stood up and had a stretch, it should be almost ready for a second thin coat. Honestly, it took me years to get airbrushing right and the mistake I made over and over again was under-thinning.

Thick paint dries on the tip causing stoppages. It dries in the brush’s cavities making cleaning very difficult. It dries in the air before reaching the model giving a sandpaper finish. It dries on the model too fast for it to level out making orange peel.

Do an experiment with any paint you want to airbrush. Thin it to water consistency and then thin it again. Try it. Thin it again. Find out how thin you can go before it splits. Then use it just this side of its breaking point.

You also need very finely ground pigment so the particles will not clog - that’s why artists paints are no good.

You also need a strong binder that will hold everything together when very diluted. That’s Vallejo’s weak spot. Their paints are kinda rubbery for days after drying, while they cure fully. Even after curing Vallejo is easy to scratch. I believe the binder is chemically close to latex(?). If it’s over thinned it ‘splits’, falls apart chemically and turns to porridge.

Vallejo bottles are hard to stir. You can only shake them and if you don’t get the binder, solvent and pigments properly distributed, you are doomed. Nothing will be predictable. I put the bottles in my pocket in the morning and let a five mile dog walk and the body heat put them into prime condition.

I no longer try to spray Vallejo but use them for all my brush painting. I spray Tamiya.

Tamiya paints are awful on a paintbrush but spray like fairy dust. They use a water/alcohol thinner and so can be thinned so they are wetter than water alone. They dry and cure fast to a tough hard finish. Gunze Mr Color paints are very similar but better still. Unfortunately v pricey here and hard to find sometimes.

Dammit! I knew that if I started talking paint I’d ramble on like the pub bore. I’ll stop now and get me coat. ROTF
Hmm. I've done a lot (like, a LOT) more plastic modeling than wooden ship-building and I rarely use anything but Vallejo for airbrushing. It's true that it suffers from the same drawbacks as all other acrylics, but I prefer acrylics because it's easier to spray and cleanup indoors without generating a bunch of HAZMAT. That said, start with a good primer coat (I use automotive primer in a rattle can and you don't need to worry about adhesion (at least for a model). I will say I've had some bottles of Modelair that shot straight, and others that required a bit of thinning. A drop of retarder medium really helps flow and prevents tip clogging.
 
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