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Now I understand what you're getting at.
No, the keelson was crafted according to the plans and glued in place after some minor adjustments. The nailing is purely for aesthetics.
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Hi Barbossa, I'm a bit confused about the nailing. According to a description from that period, the fastening method is quite different. If you'd like, I can send you the description in a private message. FrankNow I understand what you're getting at.No, the keelson was crafted according to the plans and glued in place after some minor adjustments. The nailing is purely for aesthetics.



Looking fantastic, Andreas!Hello everyone!
Next up are the decorative moldings. The dimensions were taken from the plans, and the specific shape for each molding was milled using a straight bit and a ball-nose cutter.
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Regards
Andreas



















Looks great Andeas - and I am sure that the masonia's workability is much better the ebony or even hornbeam for that matter (from experience with La Renommee)The addition of the wales just adds to the beautiful lines. Looking fantastic, Andreas!

Hi Barbossa, I was wondering: are you just following the monograph, or are you also reading any books on construction? FrankHello everyone!
Many thanks, Richard
The passageway to the quarter gallery has been constructed. Additionally, I had overlooked a decorative molding, which has now been added. The upper two wales were also fabricated, their heights measured, and then installed. For this model, I have decided against using India ink for blackening, opting instead to rely on naturally dark wood. I ruled out ebony; however, I was unable to find a suitable source for dark hornbeam online. Consequently—back when I placed the order—I settled on Mansonia Beete. It currently appears somewhat light in color, but during the final oil treatment, it will darken significantly, approaching a black tone.
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Regards
Andreas


Dear AndreasHello everyone!
Many thanks, Richard
The passageway to the quarter gallery has been constructed. Additionally, I had overlooked a decorative molding, which has now been added. The upper two wales were also fabricated, their heights measured, and then installed. For this model, I have decided against using India ink for blackening, opting instead to rely on naturally dark wood. I ruled out ebony; however, I was unable to find a suitable source for dark hornbeam online. Consequently—back when I placed the order—I settled on Mansonia Beete. It currently appears somewhat light in color, but during the final oil treatment, it will darken significantly, approaching a black tone.
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Regards
Andreas

