Wow, I thought I was the only one with that problem. iPhone, iPad and Mac Pro. Have to make sure I scrub my right index finger and thumb after each gluing sessionHaha, that was the same on my iMac
Wow, I thought I was the only one with that problem. iPhone, iPad and Mac Pro. Have to make sure I scrub my right index finger and thumb after each gluing sessionHaha, that was the same on my iMac
Buongiorno Pietro, prova a levigare con la retina di acciaio (quella che si usa in cucina) molto fina,, fammi sapereDopo una notte a 18 dgr.C, l'olio di lino si è asciugato fino a ottenere una lucentezza opaca liscia e setosa.
Per mostrare cosa può fare l'applicazione con un panno e il rilascio sempre con olio di lino, altre 2 foto.
Ho posizionato lo scafo ad angolo rispetto alla luce diurna incidente in modo da avere un'idea dell'andamento delle sfumature di colore a diversi angoli di visione:
View attachment 284355
Da questa angolazione si vede anche il bellissimo andamento delle curve dello scafo:
View attachment 284356
Il lato sinistro completamente fasciato diventa più impegnativo con ancora più curve e curve.
Saluti, Pietro
Thanxs, Frank, but I won't. The rubbing / polishing with the oil damped cloth gives for me this nice result. No further expiriments (if you don't mind).Hello Peter, try to sand with the very fine steel mesh (the one used in the kitchen), let me know
Beautiful...After a night at 18 dgr.C, the linseed oil has dried up to a smooth, silky matte sheen.
To show what applying with a cloth and always releasing with linseed oil can do, 2 more photos.
I placed the hull at an angle to the incident daylight so that you get an idea of the course of the color shades at different viewing angles:
View attachment 284355
From this angle you can also see the beautiful course of the curves of the hull:
View attachment 284356
The fully planked port side becomes more challenging with even more curves and curves.
Regards, Peter
Thanxs, Johan. Yes, I sit here with a bigBeautiful...
era un prova da fare su uno scarto non sul modello , tranquillo il modello lo devi gestire solo Tu , cerco di trasmettere le mie esperienzeGrazie, Frank, ma non lo farò. Lo sfregamento/lucidatura con il panno inumidito con olio mi dà questo bel risultato. Nessun ulteriore scadimento (se non ti dispiace).
Saluti, Pietro
it was a test to be done on a gap not on the model, quiet the model you have to manage only you, I try to pass on my experiences
Thank you, Heinrich. I'm glad I oiled this side and not black.The wood is looking beautiful, Peter! You deserve your very big smile!
Thanxs, Stephan. My Admiral's father was a painter. He mentioned about the fire in Linseed oil damped cloths.Looks real good. I'm think I gonna order some linseed oil by the Baptist next time, it is looking real good.
Don't throw the cloth you used in the bin, I read somewhere it could catch fire by getting very hot.
Watch out for a (longer) answer:I have one more question about the planking
Why not start at the stern with the planks ?
I would have done this myself, by looking at the side of the hull, you cover the back
You have a reason for it, but I can't think of it
Mvg Henk
That's awesome Peter, the linseed oil really brought the richness of the wood to the foreThe decision made to put the starboard side in the linseed oil. The frames with all the nooks and crannies with the brush, but the planking with a cloth. While releasing, spinning, with some drying in between, this appeared:
View attachment 284150
View attachment 284151
The part below the waterline also buffed with the linseed oil cloth.
Zoom in a bit:
View attachment 284152
The oil can now penetrate further into the wood. The drawing will probably be even more beautiful.
Regards, Peter
Buongiorno Pietro, mica hai fatto a prova con la retina d'acciaio per vedere il risultato, GraziePollice su
Henk, Peter,Watch out for a (longer) answer:
Fact 1: If you have a car with a flat rear, there will be a lot more rain and dirt left on that rear than on the sides. I think that's the 'wake'.
Fact 2: The ends of planks have a feeling for watering in, so watch out for rot.
If you plank the stern first and then the sides, all the ends of the side planks protrude at the back. Which therefore stores more water because of the wake.
If I Plank the stern after the sides, the stern planks covers those ends at the back.
Then I have the ends of the stern planks, but they are on the side and the wind blows past them and carries the water off more easily. So they are less sensitive to water.
Just like the side of the car stays cleaner compared to the rear.
Then there is the visual aspect:
Do you want the ends on the back or on the side? If you paint the hull of the BN black, it doesn't matter. With by my BN you will see them on the starboard side. But then they are right and flat next to each other because of the almost flat surface of the stern. The hull planks follows the strong curve of the hull at the rear. And it is more difficult to get the planks flat and tight on that curve. Or you should shape the curves of the back into a polygon, with planes the width of the planks. And chamfer the planks slightly at an angle.
By my BN, the stern planks will cover that.
No idea if this order of planking is shipbuilding technically correct. But this is my theory and part of my ‘Overthinking’.
So you can discus and reason this in all directions.
So maybe they've done it always wrong?
Regards, Peter
Thanxs, Mark. Especially with the release with the cloth of the oil it started to revive. It was much less with just brushing it on.That's awesome Peter, the linseed oil really brought the richness of the wood to the fore
All right, Henk. The YQ manual started also with the stern planking first .....Ok Peter
Thanks for your valuable information
I will at least think about it