GOT IT THANKS AGAIN GILLES, i will wait for your answer to FRAME No.2, have plenty more to do. THANKS AGAIN Don
Don, Gilles,
I decided to give this small model a try and ordered the book. After finishing my current model I will start the build.
Many Thanks to Gilles and also Gérard for this clarification, explanation and also especially the new sketch, in which the lines are explained in detail with the grey visualisation - Great helpDon,
This is what I though and had written before I edited my reply yesterday, but here is the answer from Gérard:
Original reply:
"L'orientation est simple à déterminer sachant que l'observateur est placé dans le bateau. Si on supprime les lignes discontinues qui embrouillent un peu le dessin mais qui sont nécessaires, on constate que c'est bien la couche arrière qui comporte le bout d'allonge"
Translated:
The orientation is easy to understand knowing that the viewer is located inside the hull. If we omit the dotted lines, necessary but complicating the drawing, we see that the top timber extension is indeed located on the back layer.
and an image that will clarify this for you:
View attachment 129290
If I may make another suggestion, use the clean copy (original) to study the plan.
If there is something you do not quite get, make an extra copy of the part of the plan that is causing you trouble. Then, using coloured highlighters figured out the proper definition of the lines. It may take 1 or 2 copies to confirm the meaning of the lines, but it will help.
G
all I want to do is right now is to establish a PLEASING CURVE to the frame as some of mine look to jagged close at top but still enough meat there
Hallo Gérard,Hello,
Dozens of "Rochefort" have been built, no one to date has reported graphic errors in this monograph. The problem is to be found elsewhere.
GD
I can fully underline the words by GillesTwo things determine how close to the line you should cut. The first, everyone knows: How good are you with a scroll saw? The second is even more important: How good are the plans? The most talented guy with a scroll saw is going to have problems with poorly drawn plans.
Two things determine how close to the line you should cut. The first, everyone knows: How good are you with a scroll saw? The second is even more important: How good are the plans? The most talented guy with a scroll saw is going to have problems with poorly drawn plans.