Oh my! That's going to be challenging!
Simply incredible - I can’t wait to see the hull fully planked. Take your time, of course, but it is exciting to think of the thing sanded and oiled.
Have you ever tried painter's tape for the pattern? On my esping I liked using it because I could lay it in short segments rather than trying to get the full cardstock pattern to be perfect.Thanks Marc, this is a long slog and I will continue whilst I am in the mood. I have to have my "planking head" on to do this tedious job. It will take a long time due to the fact I am making card templates for every plank in the bow area albeit that one template suits both sides of the hull.
Have you ever tried painter's tape for the pattern? On my esping I liked using it because I could lay it in short segments rather than trying to get the full cardstock pattern to be perfect.
Ooh. That was fun. Sort of like making suggestions to Rembrandt on how to mix his paints...
Understood. I used cardstock (and paper) on the Vasa as well. Never tried tape until the esping...Hi Paul, yes I have in the past but it won't work too well due to the severe conical shape at the bow.The thin card I am using behaves exactly the sane as the veneer, if I am slightly out with the twist, then the developed shape is wrong. This has got to be the most extreme shaped bow I have ever planked
Splicing the waterline... that is just SICK!
Yup. Marc's clock is broken as evidenced by the longevity of his build...Blame Marc, AKA Hubac's Historian, he put me up to He laid the gaunlet by suggesting I used coloured veneer for the lower hull. Many thanks to Marc though, much prefer the look to paint, even if it has added another six months to the build
I like it when you paint wood you can still see the actual texture of the grain, it makes it more vibrant. I assume you used a stain or glaze.